Perhaps they do not appear so gigantic when the visitor is close to them as he thought they would from their mass at a distance. But if he stands at the base of the great pyramid, and casts his eye along the steps of its enormous side and up the dizzy height where the summit seems to pierce the solid blue, he will not complain of want of size. And if he walks around one, and walks from one to another wading in the loose sand and under a midday sun, his respect for the pyramids will increase every moment.
Long before we reach the ascent of the platform we are met by Arab boys and men, sellers of antiquities, and most persistent beggars. The antiquities are images of all sorts, of gods, beasts, and birds, in pottery or in bronze, articles from tombs, bits of mummy-cloth, beads and scarabæi, and Roman copper coins; all of them at least five thousand years old in appearance.
Our carriage is stuck in the sand, and we walk a quarter of a mile up the platform, attended by a rabble of coaxing, imploring, importunate, half-clad Bedaween. “Look a here, you take dis; dis ver much old, he from mummy; see here, I get him in tomb; one shillin; in Cairo you get him one pound; ver sheap. You no like? No anteeka, no money. How much?”
“Ah,” ironically, “ket'-ther khâyrak (much obliged). You take him sixpence. Howadji, say, me guide, you want go top pyramid, go inside, go Sphinkee, allée tomba?”
Surrounded by an increasing swarm of guides and antiquity-hawkers, and beset with offers, entreaties, and opportunities, we come face to face with the great pyramid. The ground in front of it is piled high with its debris. Upon these rocks, in picturesque attitudes, some in the shade and some in the sun, others of the tribe are waiting the arrival of pyramid climbers; in the intense light their cotton garments and turbans are like white paint, brilliant in the sun, ashy in the shadow. All the shadows are sharp and deep. A dark man leaning on his spear at the corner of the pyramid makes a picture. At a kiosk near by carriages are standing and visitors are taking their lunch. But men, carriages, kiosk, are dwarfed in this great presence. It is, as I said, a shabby pile of stone, and its beauty is only that of mathematical angles; but then it is so big, it casts such a shadow; we all beside it are like the animated lines and dots which represent human beings in the etchings of Callot.