In the castle of the Grail the knights are conducting Titurel's funeral. Amfortas, who in his sufferings longs for death as the one act of mercy, falls into a furious frenzy of despair when the knights urge him to uncover the Grail which alone gives life, so that they all retreat in terror. Then at the last moment Parsifal appears and touches the wound with the lance that alone can close it. He praises the sufferings of Amfortas that have given to him, the timorous fool, "Compassion's supreme strength and purest wisdom's power" and assumes the king's functions. The Grail glows resplendent. Titurel rises in his coffin and bestows blessing from the dome. A white dove descends upon Parsifal's head as he swings the Grail. Kundry with her eyes turned toward him sinks dying to the ground while Amfortas and Gurnemanz do him homage as king and a chorus from above sings:

"Miracle of Supreme blessing, Redemption to the Redeemer!"

Life of Wagner — Part 72

The holy Grail, the symbol of the Savior, has at last been rescued from hands defiled by guilt--has been redeemed.

Life of Wagner — Part 72

Such is the short sketch of the grand as well as profoundly significant dramatic action of the artist's last work! It is easy to see that the figures and actions are but a parable. They symbolize the ideas and periods of human development. Nay more, the phases and powers of human nature are here disclosed to view. It is the inner history of the world which ever repeats itself and by which mankind is always rejuvenated. The pure and restored genius of the nation arises anew to its real nature. Its lance heals the wound which we have received at the hands of the other--the evil and foreign genius. It is this pure genius which all, even the dead and the dying, hail as King, and do homage to new deeds of blessing. Next to religion itself, it was art which more than all else constantly brought to the consciousness of humanity the ideals which originated with the former, and here art even entered literally into the service of divine truth. The lance, which signifies the mastery over the spirits, was wrested from the dominating powers. Serious harm indeed and spiritual starvation have followed as the consequence of our falling in every sphere of life under the control of the elements that frivolously play with our supreme ideals. Art, which springs from the purest genius of mankind, seems destined now to be the first to regain the lance and heal the wasting wound. For is not religion divided into warring factions and science into special cliques, jealous of each other? The church does not prevail in the struggle against the evil powers here or elsewhere, and has long ceased to satisfy the mind. The increasing tendency to pursue special studies creates indifference for such supreme ethical questions. It is art alone that has gained new strength from within itself. We have seen it in portraying this one mighty artist, in the irresistible force, in the longing and hoping, in the indestructible, faithful affection for his people, which must dominate all who have retained the feeling for the purely human. Should not art then be destined to awaken, among the cultured at least, a vivid renewal of the consciousness of the sublime for which we are fitted and in whose slumbering embrace we are held? Eternal truth ever selects its own means and ways to reveal itself anew to mankind. "The ways of the Lord are marvelous!" It aims only at the accomplishment of its object. It has at heart only our ever wandering and suffering race. Those who judged without prejudice tell us that this "Parsifal" appeared to them as a mode of divine worship, and that the festival-play-house was not only no longer a theatre, but that even all evil demons had been banished from this edifice, and all good ones summoned within its walls. Would that this were so, and that we could hope in the future that the painful and severe trials of the artist's long life, which gave to this genius also "compassion's supreme strength and purest wisdom's power," would be blessed with abundant fruit, with the full measure of consummation of his own hopes, and the goal so ardently struggled for attained, for his as well as for our own welfare.

Life of Wagner — Part 72