At the moment when the present history begins,ñaltaMartayMarí the vibrating tones of the piano were heard preluding the passionate _allegro_ of the aria from "La Traviata": _gran Dio morir si giovine_. When the prelude was ended, a soft and appropriate accompaniment began. The expectation was intense. At last, above the accompaniment arose a clear and most dulcet voice, echoing through the whole plaza like a sound from heaven. The two groups of listeners were stirred as though they had touched their fingers to the knob of an electric machine, and a subdued murmur of satisfaction ran up and down among them.
"'Tis Maria," said three or four, hoping that the ears of the walls would not overhear them.
"It was high time!" remarked one, in a little louder voice.
"It is she that is singing now; hark! and not that beast of the canning factory!" exclaimed a third, still more impulsive.
"Have the goodness to keep quiet, gentlemen, so that we can hear!" cried a very angry voice.
"I have always insisted that there are no people more ill-bred than those of this place!" again cried the angry voice.
Finally all became silent, and Verdi's passionate melody could be heard, interpreted with remarkable delicacy. The lovely, limpid voice, issuing from the open balconies, rent the saturated atmosphere out of doors, and vibrating with force, went the rounds of the plaza, and died away in the mazes of the town. The loneliness and gloom of the night increased the power and range of that lovely voice, lovely beyond all praise. I do not say that, for any one of those clever people who feel themselves wrapped up in the vocalism of the paradise of the Royal Theatre, the singer was a prodigy in her mastery of attacking, sustaining, and trilling the notes; but I affirm that for those whom we do not see tortured by musical scruples, she sang very well, and she possessed, above all, a bewitching voice, of a passionate _timbre_, which penetrated to the very depths of the soul.
The loungers of both arcades, and likewise the philosophers of the gutter, gave unmistakable proofs of feeling moved. The taste for music in country towns always partakes of a more violent and impetuous nature than is shown in large cities, and this is due to the fact that the latter are furnished with an excess of theatres and salons, while the former can only from time to time enjoy it. No one whispered, or moved a step from his place; with open mouths and far-away eyes, they followed ecstatically the course of that despairing melody, in which Violetta mourns that she must die after such sufferings undergone. The most sensitive began to shed tears, remembering some gallant adventure of their youthful days. The sky, still relentless, kept sending down its inexhaustive deposit of liquid dust. Two of the philosophers of the gutter felt of their garments, shook their sombreros, and muttering a curse against the elements, took refuge in the arcade, causing by their arrival a slight disturbance among their neighbors.