CONJUROR. I say these things are supernatural. I say this is done by a spirit. The doctor does not believe me. He is an agnostic; and he knows everything. The Duke does not believe me; he cannot believe anything so plain as a miracle. But what the devil are you for, if you don't believe in a miracle? What does your coat mean if it doesn't mean that there is such a thing as the supernatural? What does your cursed collar mean if it doesn't mean that there is such a thing as a spirit? [_Exasperated._] Why the devil do you dress up like that if you don't believe in it? [_With violence._] Or perhaps you don't believe in devils?

SMITH. I believe . . . [_After a pause._] I wish I could believe.

G. K. Chesterton, A Critical Study — Part 24

CONJUROR. Yes. I wish I could disbelieve.

G. K. Chesterton, A Critical Study — Part 24

Here Patricia enters. She wants to speak to the Conjuror, with whom she is left alone. A little love scene takes place: rather the result of two slightly sentimental and rather tired persons of different sexes being left alone than anything else. But they return to realities, with an effort. Patricia, too, wants to know how the trick was done, in order to tell her brother. He tells her, but she is of the world which cannot believe in devils, even although it may manage to accept fairies as an inevitable adjunct to landscape scenery by moonlight. In order to convince her the Conjuror tells her how he fell, how after dabbling in spiritualism he found he had lost control over himself. But he had resisted the temptation to make the devils his servants, until the impudence of Morris had made him lose his temper. Then he goes out into the garden to see if he can find some explanation to give Morris. The Duke, Smith, the Doctor, and the Secretary drift into the room, which is now tenanted by something impalpable but horrible. The Conjuror returns and clears the air with an exorcism. He has invented an explanation, which he goes out to give to Morris. Patricia announces that her brother immediately took a turn for the better. The Conjuror refuses to repeat the explanation he gave Morris, because if he did, "Half an hour after I have left this house you will all be saying how it was done." He turns to go.

G. K. Chesterton, A Critical Study — Part 24

PATRICIA. Our fairy tale has come to an end in the only way a fairy tale can come to an end. The only way a fairy tale can leave off being a fairy tale.