"the connexion of which with the plot one sees."

[4] In the original the title is "In God's Ways."

Essays on Modern Novelists — Part 39

It is pleasant to take up the volume _In God's Way_, for, however disappointing it may be to those who know the young Björnson, it is vastly superior to _Flags_. It is what is called to-day a "strong" novel, and has naturally evoked the widest variation of comment. By many it has been greeted with enthusiastic admiration and by many with outspoken disgust. Psychologically, it is indeed powerful. The characters are interesting, and they develop in a way that may or may not be God's, but resemble His in being mysterious. One cannot foresee in the early chapters what is going to happen to the _dramatis personæ_, nor what is to be our final attitude toward any of them. Think of the impression made on us by our first acquaintance with Josephine, or Kallem, or Ragni, or Ole; and then compare it with the state of our feelings as we draw near the end. Not one of these characters remains the same; each one develops, and develops as he might in actual life. Björnson does not approach his men and women from an easy chair, in the descriptive manner; once created, we feel that they would grow without his aid.

Essays on Modern Novelists — Part 39

For all this particular triumph of art, _In God's Way_ is plainly a didactic novel, with the author preaching from beginning to end. The "fighting" quality in the novelist gets the better of his literary genius. We have a story in the extreme realistic style, marked by occasional scenes of great beauty and force; but the exposition of doctrine is somewhat vague and confused, and the construction of the whole work decidedly inartistic. Two general points, however, are made clear: First, that one may walk in God's way without believing in God. Religion is of no importance in comparison with conduct, nor have the two things any vital or necessary connexion. This is a modern view, and perhaps a natural reaction from the strictness of Björnson's childhood training. Second, that virtue is a matter entirely of the heart, bearing no relation whatever to the statute-book. A woman may be legally an adulteress and yet absolutely pure. This also is quite familiar to us in the pages of modern dramatists and novelists. Björnson has taken an extraordinary instance to prove his thesis, a thesis that perhaps needs no emphasis, for human nature is only too well disposed to make its moral creed coincide with its bodily instincts.

Essays on Modern Novelists — Part 39