Kerry Allen Livgren (born September 18, 1949) is an American musician, best known as one of the founding members and primary songwriters for the American rock band Kansas.
Kerry Livgren, raised in Topeka, Kansas, developed an early interest in music and songwriting. Throughout the 1960s and 1970s, he played in various bands, exploring spiritual themes in his lyrics. Livgren formed bands such as the Gimlets, Saratoga, and eventually Kansas. With Kansas, he achieved commercial success, writing hit songs like "Carry On Wayward Son" and "Dust in the Wind". In 1979, Livgren converted to Christianity, which influenced his subsequent work. He continued to work with Kansas, formed a new band called AD, and pursued a solo career. Livgren later formed a band called Proto-Kaw, which released new material until 2011. As the primary songwriter for Kansas, Livgren contributed to the band's worldwide success, with numerous Gold and multi-Platinum albums and over 14 million recordings sold.
Biography
Livgren was raised in Topeka, Kansas, by his father Allen Leroy, an industrial engineer, and his mother Betty ( McElhiney). He was drawn to music at a young age, and his first musical interests developed with classical and jazz influences. His first equipment included an electric guitar he built using a cheap Stella guitar, a Sears amplifier and a low-quality Astatic microphone. Along with learning guitar, Livgren also focused on learning to write songs due to his desire for more creative expression and originality. He attended Washburn University for some time.
Early years: 1960s–1973
Livgren was a member of numerous bands in the late 1960s and early 1970s and developed a reputation for complex compositions and poetic lyrics that explored spiritual themes. His investigations into various religions are reflected in the lyrics of his songs on Kansas' first six albums.
Livgren formed his first band, the Gimlets, with several close friends in high school, including John Pribble, drums, Scott Kessler, bass, Tim Strauss, guitar, and Dan Wright on keyboards. They soon found themselves booked after school and on weekends throughout Kansas and neighboring Missouri, where they played their original compositions, a blend of pop, English and psychedelic rock. After graduating from Topeka West High School in 1967, Livgren continued to perform with the Gimlets through college before joining a predominantly black mainstream rhythm-and-blues band named the Mellotones, in which he met keyboard player Don Montre in 1969.
Forming a friendship, Livgren and Montre decided to leave the Mellotones and join the more commercially viable band the Reasons Why, which included Lynn Meredith and Wright. Though this band was doing well financially, Livgren became frustrated because of his desire for more creative expression, and he and Montre decided to start their own band. They briefly re-formed the Gimlets with former members Scott Kessler and Wright along with several new members. A short time later, they renamed the band Saratoga, after the name on the pencil that Livgren was using to write songs. Saratoga included Meredith, Montre, Wright, Livgren, Phil Ehart and Dave Hope.
In 1970, Livgren and Ehart decided to form a new group by combining the best members from Saratoga and Phil's band White Clover (which included Steve Walsh, Rich Williams, Hope and Jeff Glixman). While Livgren and Ehart were discussing what to call the new band, Hope walked in on the conversation and suggested they call themselves Kansas. This version of Kansas (referred to as "Kansas I" by fans) was known for its complex musical arrangements and originality, but the lineup lasted for only one year.
In 1971, Ehart and Hope left the group, and Livgren reworked the band and continued it under the name Kansas. (This group later became known by fans as Kansas II and is the lineup that re-formed decades later as Proto-Kaw). Kansas II continued to perform Livgren's original works, which fused experimental rock with psychedelia and jazz. During this time, Kansas II recorded a demo cassette that was released commercially 30 years later. Kansas II generated a loyal fan following, and the built-in audience helped the band secure concert bookings. However, financial problems plagued the band, and after a record deal with Jefferson Airplane's label failed to materialize and an old school bus broke down while the band was on the road touring, the band dissolved in 1973.