35 as thou hast prescribed it to me thyself; all things flock to thee in the great offering day which thou desirest; the bulls and calves are innumerable; all the pieces of their flesh are by millions; the smoke of their fat reaches heaven and is received within the sky.
36 I give that all lands may see the beauty of the buildings which I have created to thee; I have marked with thy name all inhabitants and foreigners of the whole land; they are to thee forever; for thou hast created them, to be under the command of thy son, who is on
37 thy throne, the master of gods and men, the lord who celebrates the festivals of thirty years like thou, he who wears the double sistrum, the son of the white crown, and the issue of the red diadem, who unites the two countries in peace, the King of Egypt, Rā-userma-sotep-en-Rā, the son of Rā, Rameses, beloved of Amen, living eternally.
(Stele of Amen-em-ha, Eighteenth Dynasty)
This stele is one of the usual funereal tablets which are found in the cemeteries at Memphis and Thebes. The upper part of the tablet is round, and has the two sacred eyes and symbolical signets, which, as well as the winged globe, almost invariably surmount these sacred inscriptions, and of which the meaning has not yet been satisfactorily determined.
Immediately below this emblem are two vignettes: in the first a functionary named Amen-em-ha (“Amen at the beginning”) presents a funereal offering to his father Amen-mes (“Amen’s son,” or, “born of Amen”) the steward of the deity’s flocks,(439) beside whom is his deceased wife Nefer-t-aru and a young boy, his son, Amen-em-ua (“Amen in the bark”). In the second vignette, a principal priest (_heb_) of Osiris, dressed in the sacerdotal leopard’s skin, offers incense to the lady Te-bok (“The servant-maid”); below is a row of kneeling figures, namely: two sons, Si-t-mau (“Son of the mother”), Amen-Ken (“Amon the warlike”), and four daughters, Meri-t-ma (“Loving justice”), Amen-Set (“Daughter of Amen”), Souten-mau (“Royal Mother”), and Hui-em-neter (“Food for god”). As there is no indication of relationship between the subjects of the two vignettes, it may be inferred that Te-Bok was a second wife of Amen-em-ha.
The lower portion of the tablet is filled up with the following Hymn to Osiris, written in twenty-eight lines of hieroglyphics which are very well preserved except wherever the name of the deity Amen occurs, which has been hammered out(440) evidently at the time of the religious revolution in Egypt under the reign of Amenophis IV, who, assuming the name of Chu-en-aten (“Splendor,” or, “Glory of the solar disk”), overthrew the worship of the older divinities and principally that of Amen-Rā; a change which was again overthrown in the period of his successors, who restored the former letters. From the style of art and other indications it is almost certain that the monument was erected in the reign of Thothmes I of the eighteenth dynasty.