In consequence of the work of poets, writers, painters, photographers, indeed all kinds of artists, and of the stimulus exerted by them upon mountain travellers of all sorts, men have learned in the last half-century to see mountains far better, more truly, and more beautifully than was possible before. We find in them complexities and refinements of beauty the very existence of which was previously unsuspected. We do not merely wonder at their size or shudder at their savagery. We can do that when the mood is on us, but the mood seldom comes. Our forefathers generally looked at them from a distance and thought of them as a whole, seldom doing more than to identify here and there a single individual from the mass. We, on the contrary, have learnt to know them from nearer at hand. We have made friends with them; we can call them all by their names. We know the aspect of each from many points of view, and their features are as familiar to us as were the features of woodside and stream to the mediæval villager. This intimacy with the mountains has taught us that all the snowy ranges of the world are, as it were, of a single race, and that he who knows one knows something about all.

The Alpine climber, who knows the Alps, can be interested in mere description of mountain ascents elsewhere. Knowing what Alpine peaks look like and how they appear in picture and photograph, he can, by aid of pictures and photographs, attain a tolerably complete idea of the aspect of other mountain ranges. Hence the explorers of such ranges, of the Caucasus, the Himalayas, the peaks of Central Africa, South America, and New Zealand, have been called upon to describe the peaks they have climbed, the valleys and glaciers they have traversed, and the scenery of the regions and ranges they have explored, in a way that would have been unintelligible two generations ago. What we now demand of a mountain explorer is not merely to tell us the adventures of his route, but to explain to us wherein the quality of the mountain scenery differs from that which is familiar nearer home. He must be prepared to answer many questions which would not have been asked till recently. Has he been to the Himalayas or the Andes? We want to know whether those great mountains look their size, and, if so, wherein the effect is manifested of a scale greater than the Alps. Is he returning from Sikhim? We shall ask him to tell us what the great peaks there look like when seen from the beautiful forest below. What are the atmospheric effects peculiar to the region? And, with yet more persistence, what is the quality of mountain form which distinguishes the great peaks there, so that, beheld merely through the medium of photographs, they so impress their individuality upon us?

The Alps — Part 18