Sayed Haider Raza (22 February 1922 – 23 July 2016) was an Indian painter who lived and worked in France for most of his career. Born on 22 February 1922 in Kakkaiya (District Mandla), Central Provinces, British India (present-day Madhya Pradesh), Raza moved to France in 1950, marrying the French artist Janine Mongillat in 1959. Following her death from cancer in 2002, Raza returned to India in 2010, where he would live until his death on 28 July 2016.
Having maintained strong ties with India throughout his career, Raza was an acclaimed for his art both there and in France. He was awarded the Padma Shri in 1981, Fellowship of the Lalit Kala Academi in 1984, Padma Bhushan in 2007, and Padma Vibhushan in 2013. He was conferred with the Commandeur de la Legion d'honneur (Legion of Honour) on 14 July 2015.
His seminal work Saurashtra sold for 16.42 crore ($3,486,965) at a Christie's auction in 2010.
Early life and education
Sayed Haider Raza was born in Kakkaiya, Mandla district, Madhya Pradesh, to Sayed Mohammed Razi, the Deputy Forest Ranger of the district and Tahira Begum. It was here where he spent his early years, completed primary education, and took to drawing at the age of 12. He moved to Damoh (also in Madhya Pradesh) at 13; where he completed his high school education from Government High School, Damoh.
After high school, he studied further at the Nagpur School of Art, Nagpur (1939–43), followed by Sir J. J. School of Art, Mumbai (1943–47), before moving to France in October 1950 to study at the École Nationale supérieure des Beaux-Arts (ENSB-A), Paris (1950-1953) on a Government of France scholarship. After his studies, he traveled across Europe, and continued to live and exhibit his work in Paris. He was later awarded the Prix de la critique in Paris in 1956, becoming the first non-French artist to receive the honor.
Art career
Early career
Sayed Haider Raza, had his first solo show when he was 24 in 1946 at Bombay Art Society Salon, and was awarded the Silver Medal of the society.
His work evolved from painting expressionistic landscapes to abstract ones. From his fluent water colours of landscapes and townscapes executed in the early 1940s, he moved toward a more expressive language, painting landscapes of the mind.
Raza carefully crafted his career to become an inspiration to two generations of artists. The year of 1947 proved to be a very important year for him. First, his mother died. Then, he co-founded the revolutionary Bombay Progressive Artists' Group (PAG) (1947–1956) along with K. H. Ara and F. N. Souza. This group set out to break free from the influences of European realism in Indian art and bring Indian inner vision (Antar gyan) into the art. The group had its first show in 1948. A revolutionary amount of art was created by the people in this group from 1940 to 1990. Raza's father died the same year his mother had died in Mandla. The majority of his four brothers and sister, migrated to Pakistan, after the partition of India. In the early years, the group continued its close rapport. Krishen Khanna speaks of the first exhibition Raza, Akbar Padamsee and F. N. Souza mounted together at the Gallery Cruz in Paris. "Souza and Padamsee painted in a quasi-modern fashion. Raza, however, made a throwback to the Mughal period, creating jewel-like water colours, with the pigment rubbed in with a shell. He was vastly successful and acquired by important collectors."
Once in France, he continued to experiment with currents of Western Modernism, moving from Expressionist modes towards greater abstraction and eventually incorporating elements of Tantrism from Indian scriptures. Whereas his fellow contemporaries dealt with more figural subjects, Raza chose to focus on landscapes in the 1940s and 50s, inspired in part by a move to France. In 1956, he was awarded the prestigious Prix de la Critique, this was a monumental award to the art scene in India.
In 1962, he became a visiting lecturer at the University of California in Berkeley, USA. Raza was initially enamored of the bucolic countryside of rural France. Eglise is part of a series which captures the rolling terrain and quaint village architecture of this region. Showing a tumultuous church engulfed by an inky blue night sky, Raza uses gestural brushstrokes and a heavily impasto-ed application of paint, stylistic devices which hint at his later 1970s abstractions.