The files of the patent office are full of the ideas of unrewarded genius that has spent its time, its money and its enthusiasm in the unenviable task of producing innovations in pianofortes. No feature of construction has been left unimproved; yet how many of these inventions ever see the light? Few, indeed; and the fact is a sad commentary on the unpractical nature of genius in general.

These reflections lead one to the feeling that a fitting conclusion to a treatise on pianoforte construction may be made by giving particulars of some of the most famous and revolutionary inventions that at one time and another have been launched upon the unfeeling world of piano-making. Not all of these by any means can be denominated freaks; indeed there are the germs of most valuable developments in many of them. We shall consider a few of the really valuable ideas at least.

Theory and Practice of Piano Construction — Part 107

Among these primacy must be given to the screw-stringing device of Mason & Hamlin. This invention was intended to substitute a positive mechanical fastening for the tuning-pin, in place of the wooden wrest-plank. It consisted of a screw, threaded vertically in a socket, which was cut in a projecting shoulder on the iron-plate. As it extended below its socket, it was provided with an universal joint which ended in a hook. On this hook the string was wound, and was then free to pass on to the agraffe. A small T-hammer sufficed to turn the screw and the string was tightened or slackened as the screw turned in the threaded socket. The action was slow but sure, and the strings had the curious property of sharping under a test blow instead of the opposite, as is usual. The method of tuning was the same except that the screw turned in the opposite direction to the ordinary style and required much more turning to bring the string to the desired point. On the other hand, however, setting the pin was unnecessary, and the evils engendered by bad wrest-planks and sticking or twisting pins were unknown. Moreover, the turning of the screw involved very slight effort.

Theory and Practice of Piano Construction — Part 107

With all these advantages, however, the reverse motion and the slowness of action were fatal; and after several years of effort Mason & Hamlin gave up the attempt to popularize their invention, and let it drop. It is, indeed, unfortunate that this device did not become more popular, as in that case its many inherent advantages would doubtless have been emphasized and the bad points in it eliminated. Prejudice and the tuners, however, were against it, and it died.

Theory and Practice of Piano Construction — Part 107