The union of boundless patience with unshaken hope was one of Mr. Mill's most conspicuous distinctions. There are two crises in the history of grave and sensitive natures. One on the threshold of manhood, when the youth defines his purpose, his creed, his aspirations; the other towards the later part of middle life, when circumstance has strained his purpose, and tested his creed, and given to his aspirations a cold and practical measure. The second crisis, though less stirring, less vivid, less coloured to the imagination, is the weightier probation of the two, for it is final and decisive; it marks not the mere unresisted force of youthful impulse and implanted predispositions, as the earlier crisis does, but rather the resisting quality, the strength, the purity, the depth, of the native character, after the many princes of the power of the air have had time and chance of fighting their hardest against it. It is the turn which a man takes about the age of forty or five-and-forty that parts him off among the sheep on the right hand or the poor goats on the left. This is the time of the grand moral climacteric; when genial unvarnished selfishness, or coarse and ungenial cynicism, or querulous despondency, finally chokes out the generous resolve of a fancied strength which had not yet been tried in the burning fiery furnace of circumstance.

Mr. Mill did not escape the second crisis, any more than he had escaped the first, though he dismisses it in a far more summary manner. The education, he tells us, which his father had given him with such fine solicitude, had taught him to look for the greatest and surest source of happiness in sympathy with the good of mankind on a large scale, and had fitted him to work for this good of mankind in various ways. By the time he was twenty, his sympathies and passive susceptibilities had been so little cultivated, his analytic quality had been developed with so little balance in the shape of developed feelings, that he suddenly found himself unable to take pleasure in those thoughts of virtue and benevolence which had hitherto only been associated with logical demonstration and not with sympathetic sentiment. This dejection was dispelled mainly by the influence of Wordsworth--a poet austere yet gracious, energetic yet sober, penetrated with feeling for nature, yet penetrated with feeling for the homely lot of man. Here was the emotional synthesis, binding together the energies of the speculative and active mind by sympathetic interest in the common feelings and common destiny of human beings.

Critical Miscellanies, Vol. 3 (of 3) — Part 22