In returning to England, in 1844, Miss Brontë determined to commence a school, and to facilitate her success in this plan, M. Héger, gave her a kind of diploma, sealed with the Athenée Royal, of which he was a professor. But no pupils made their appearance, and consequently the sisters abandoned the idea of school-keeping, and turned their thoughts to literature. Their volume of poems was published in 1846; their names being veiled under those of Currer, Ellis, and Acton Bell, but it met with little or no attention. It is possible that the names of Emily and Anne may not survive the present generation; but certainly Charlotte’s writings have placed her in the highest rank of lady novelists.
The winter of 1848 was a dark one at Haworth. Her only brother, and the sister she so intensely loved, and whose genius she ever delighted to exalt above her own, died within a few weeks of each other. Miss Brontë was prostrate with fever; and Anne, always delicate, grew rapidly worse. The two went together to Scarborough the following spring. There the younger sister died, and the elder was left alone with her aged father in that dreary deserted home among the graves. In June, 1850, she visited London, saw her old hero the Duke of Wellington, at the Chapel Royal, had an interview with Lewes, and dined with Thackeray. The same summer she went on to Edinburgh to join the friends with whom she had been staying in town. In a letter to a correspondent, she says: “Do not think that I blaspheme, when I tell you that your great London, as compared to Dunedin, ‘mine own romantic town,’ is as prose compared to poetry; or as a great rumbling, rambling, heavy epic compared to a lyric, brief, bright, clear, and vital as a flash of lightning. You have nothing like Scott’s monument; or, if you had that, and all the glories of architecture assembled together, you have nothing like Arthur’s seat, and above all, you have not the Scottish national character; and it is that grand character after all which gives the land its true charm, its true greatness.”
The three following years pass over. One of the deepest interests of her life centres round the 29th of June, 1854. On that day many old and humble friends saw her come out of Haworth church, leaning on the arm of “one of the best gentlemen in the county,” and looking “like a snowdrop.” We almost smile as we think of the merciless derider of weak and insipid suitors finding a lord and a master—of the hand which drew the three solemn ecclesiastics, Malone, Donne, and Sweeting, locked at the altar in that of her father’s curate, and learning from experience,—