Folios 5 verso, 64 verso, 89 verso, and 183. Vessels manned by soldiers. A woman stands near the shield of him who seems to be in command.[401]
Folio 46. A knight armed cap-à-pie standing in the recess of a portico. His right foot is hidden by a sort of altar whereon are the names of Madanil, Bruneo, Agradiis, and Amadis.[402]
Folio 48. Bird's-eye view of a château which has been besieged, at whose gate stands a warrior accompanied by a horse and a dog; he is parleying with the keeper of the gate, who stands at the top of the entrance tower. This last plate is a superb folio.
Hours of the Virgin according to the use of Rome, in Greek and Latin.
Small sixteenmo, Paris, Jean de Roigny, 1550. Printed in red and black. One of the engravings, on leaf 113, representing the Sacrifice of David, is signed with the Lorraine cross. The others are not signed, but are absolutely in the same style; they are: the Annunciation, folio 38 (repeated on 105), and the Resurrection of Lazarus, folio 133.[3]
II. BREVIARIUM AD RITUM DIOCESIS EDUENSIS.--Parisiis, apud Iolandam Bonhomme, viduam Thielmani Kerver, in via Jacobea, sub Unicorni.
Small octavo, 1550. On the first page are the arms of Cardinal Hippolyte d'Este, Bishop of Autun, signed with the Lorraine cross.[403]
III. L'HISTOIRE DE PRIMALEON DE GRECE, etc.
Translated by Vernassal. Folio, Paris, 1550.
This fine volume, printed by Pasquier Letellier for the bookseller Vincent Sertenas, for whom Tory had engraved a mark, contains fifty engravings in the text. A single one is signed with the Lorraine cross: it is found on folio 137 verso, and represents a lion fawning upon a woman who sits beside a fountain.
There are copies of this book in the names of other booksellers--Étienne Groulleau, Jean Longis, etc.; but the privilege is in the name of Sertenas.[404] At the end of the volume is a note to the reader by Letellier. 'Dear reader,' he says, 'if you have noticed, on reading this book, the common orthography changed in some words, even as to the double letter, which is not pronounced according to the true French method, think not that that is of my doing, but that it accords with the earnest recommendation of the author.'
IV. MISSALE SECUNDUM USUM CELEBRIS MONASTERII CLUNIACENSIS, etc. Here the vignette described below, followed by this imprint: 'Prostat Parisiis, apud Iolandam Bonhomme, in via Jacobea, sub Unicorni, ubi et impressum est.--Anno D. M. CCCCC. L.'