He understood the listener in those lines with the imagination of one who in a city office or hospital can hear the sounds of birds and insects, and feel the wind of the moors on his face and see the gloom of trees. The dark waves of the Atlantic had often seemed to him symbolic of the Irish nature; dark and sad to the outward view, but when the wind ruffles the surface showing light and beauty beneath, secret inner palaces of green crystal.
But to-night his loneliness oppressed him as never before. It seemed to him he had waited too long in a land of dreams and shadows. He left the sea and stars at last and went to his cabin.
At dinner for the first time since the boat sailed the seat next his own was occupied, though he scarcely noticed the fact until he found himself sitting beside a woman. A young woman he saw at once by her hands, all that he could see of her very well, for however curious a man may be it is difficult for him to take the bearings of a person with whom he is seated cheek by jowl. Westenra was not at all curious, but even when he was the dreamiest of Irishmen he was also a trained observer, and to take notes on the people with whom he came in contact whilst apparently absorbed in his own affairs was as natural to him as breathing. He could almost make a diagnosis from a hand, and the next deductions he drew from the slim ones of his neighbour were not all so pleasing as the first. For one thing he saw that she was an intensely nervous woman, even though she spent so much time out of doors, ungloved, that her hands were burnt to a pale brown tint. They were more like a boy's hands than a woman's, except that they were so nervously febrile and covered with rings. The rings called for attention. They were odd and barbaric, and of far greater beauty than value, for most of the stones were semi-precious, and their charm lay in their quaint settings and brilliant colouring. There were miniatures surrounded by amethysts, marquise rings of blue and green enamel with devices in rose-diamonds, olivines and sardonyx set with seed-pearls and an Angelica Kauffman under a crystal. On the thumb of her right hand she wore a very fine black scarab heavily set in platinum, and on the index finger of the same hand a silver ring of rough workmanship made in the shape of a V with a stone like an uncut ruby imbedded in the point of the letter. Nothing so commonplace as a wedding ring was to be observed amongst this eccentric collection. The forefingers of her left hand were faintly tinted with the amber of nicotine.