This is the finest speculation that was ever born of this generation of wonders, steam; and if once realized, must be a most prolific source of good to mankind. But the Germans are an intolerably tardy race in every thing, but the use of the tongue. They harangue, and mystify, and magnify, but they will not act; and this incomparable design, which, in England, would join the whole power of the nation in one unanimous effort, languishes among the philosophists and prognosticators of Germany, finds no favour in the eyes of its formal courts, and threatens to be lost in the smoke of a tobacco-saturated and slumber-loving people.

But the chief monument of Bavaria is the Val Halla, a modern temple designed to receive memorials of all the great names of Germany. The idea is kingly, and so is the temple; but it is built on the model of the Parthenon--evidently a formidable blunder in a land whose history, habits, and genius, are of the north. A Gothic temple or palace would have been a much more suitable, and therefore a finer conception. The combination of the palatial, the cathedral, and the fortress style, would have given scope to superb invention, if invention was to be found in the land; and in such an edifice, for such a purpose, Germany would have found a truer point of union, than it will ever find in the absurd attempt to mix opposing faiths, or in the nonsense of a rebel Gazette, and clamorous Gazetteers.

Blackwood's Edinburgh Magazine, No. 327 — Part 150

Still the Bavarian monarch deserves the credit of an unrivalled zeal to decorate his country. He is a great builder, he has filled Munich with fine edifices, and called in the aid of talents from every part of Europe, to stir up the flame, if it is to be found among his drowsy nation.

Blackwood's Edinburgh Magazine, No. 327 — Part 150

The Val Halla is on a pinnacle of rising ground, about a hundred yards from the Danube, from whose bank the ascent is by a stupendous marble staircase, to the grand portico. The columns are of the finest white stone, and the interior is completely lined with German marbles. Busts of the distinguished warriors, poets, statesmen, and scholars, are to be placed in niches round the walls, but _not_ till they are dead. A curious arrangement is adopted with respect to the living: Persons of any public note may send their busts, while living, to the Val Halla, where they are deposited in a certain chamber, a kind of marble purgatory or limbo. When they die, a jury is to sit upon them, and if they are fortunate enough to have a verdict in their favour, they take their place amongst these marble immortals. As the process does not occur until the parties are beyond the reach of human disappointment, they cannot feel the worse in case of failure; but the vanity which tempts a man thus to declare himself deserving of perpetual renown, by the act of sending his bust as a candidate, is perfectly _foreign_, and must be continually ridiculous.

Blackwood's Edinburgh Magazine, No. 327 — Part 150