"All who have witnessed the imperial stage-manager at work agree that he has a remarkable _flair_ for the dramatic. Very often one of his suggestions about the entrances or exits, a piece of 'business' or a pose, will be found on trial to enhance the effect of the scene. A story is told of the Emperor's insistence on accuracy and the minute attention he pays to detail at rehearsal. After his visit to Ofen-Pest some years ago for the Jubilee celebration, which had included a number of Hungarian national dances, the Emperor stopped a rehearsal of the ballet at the Berlin opera while a Czardas was in progress and pointed out to the balletteuses certain minor details which were not correct.
"In his attitude to the Court actors and actresses he displays the charm of manner which bewitches all with whom he comes in contact. He calls them 'meine Schauspieler,' which makes one think of 'His Majesty's Servants' of Shakespeare's Globe Theatre. This practice sometimes has amusing results. Once when the Theatre Royal comedian, Dr. Max Pohl, was suddenly taken ill the Emperor said to an acquaintance, 'Fancy, my Pohl had a seizure yesterday;' and the acquaintance, thinking he was referring to a pet dog replied, commiseratingly: 'Ah, poor brute!' After rehearsal the Emperor often goes on to the stage and talks with the actors about their parts.
"A Hohenzollern must not be shown on the stage without the express permission of the Emperor, and in general, if politics are mixed up in an objectionable way with the action of the drama, the play will be forbidden. Above all the Emperor will not tolerate indecency, nor the mere suggestion of it, in the plays given at the royal theatres. An anecdote about Herr Josef Lauff's Court drama 'Frederick of the Iron Tooth,' dealing with an ancestor, an Elector of Brandenburg, and on which Leoncavallo, at the Emperor's request, wrote the opera 'Der Roland von Berlin,' shows the Emperor's strictness in this respect. Frederick of the Iron Tooth is a burgher of Berlin who leads a revolt against the Elector. In order to heighten Frederick's hate, Lauff wove in a love theme into the drama. The wife of Ryke, burgomaster of Berlin, figured as Frederick's mistress and egged on her lover against the Elector, because the latter had hanged her brothers, the Quitzows, notorious outlaws of the Mark Brandenburg. The Emperor cut out the whole episode when the play was submitted to him in manuscript. The marginal note in his big, bold handwriting ran: '_Eine Courtisane kommt in einem Hohenzollerstück nicht vor_' (A courtesan has no place in a Hohenzollern drama)."