"I do not feel at home in this room," he said by way of explanation; "for that reason I never use it. I usually partake of such food as I need in the next, and allow the rest of the house to fall undisturbed into that decay which you see about you."
With that we rose from the table and returned to the room in which he had received us. A box of cigars was produced and handed round; Nikola made coffee with his own hands at a table in the corner, and then I awaited the further developments that I knew would come. Presently Nikola began to speak of the history of Venice. As I had already had good reason to know, he had made a perfect study of it, particularly of the part played in it by the Revecce family. He dealt with particular emphasis upon the betrayal through the Lion's Mouth, and then, with an apology to Glenbarth and myself for boring us with it again, referred to the tragedy of the vaults below the room in which we were then seated. Once more he drew back the carpet and the murderous trap-door opened. A cold draught, suggestive of unspeakable horrors, came up to us.
"And there the starving wretch died with the moans of the woman he loved sounding in his ears from the room above," said Nikola. "Does it not seem that you can hear them now? For my part, I think they will echo through all eternity."
If he had been an actor what a wonderful tragedian he would have made! As he stood before us pointing down into the abyss he held us spell-bound. As for Martinos, all the accumulated superstition of the centuries seemed to be concentrated in him, and he watched Nikola's face as if he were fascinated beyond the power of movement.
"Come," Nikola began at last, closing the trap-door and placing the rug upon it as he spoke, "you have heard the history of the house. You shall now do more than that! You shall see it!"
Fixing his eyes upon us he made two or three passes in the air with his long white hands. Meanwhile, it seemed to me as if he were looking into my brain. I tried to avert my eyes, but without success. They were chained to his face, and I could not remove them. Then an overwhelming feeling of drowsiness took possession of me, and I must have lost consciousness, for I have no recollection of anything until I found myself in a place I thought for a moment I had never seen before. And yet after a time I recognized it. It was a bright day in the early spring, the fresh breeze coming over the islands from the open sea was rippling the water of the lagoons. I looked at my surroundings. I was in Venice, and yet it was not the Venice with which I was familiar. I was standing with Nikola upon the steps of a house, the building of which was well-nigh completed. It was a magnificent edifice, and I could easily understand the pride of the owner as he stood in his gondola and surveyed it from the stretch of open water opposite. He was a tall and handsome man, and wore a doublet and hose, shoes with large bows, and a cloak trimmed with fur. There was also a chain of gold suspended round his neck. Beside him was a man whom I rightly guessed to be the architect, for presently the taller man placed his hand upon his shoulder and praised him for the work he had done, vowing that it was admirable. Then, at a signal, the gondolier gave a stroke of his oar and the little vessel shot across to the steps, where they landed close to where I was standing. I stepped back in order that they might pass, but they took no sort of notice of my presence. Passing on, they entered the house.