"The cause never perishes but only changes its name, when it becomes an effect, having changed its state." For example, clay becomes jar, having changed its state; and in this case the name clay is lost and the name jar arises [Footnote ref 1]. The Sarvâstivâdins allowed simultaneousness between cause and effect only in the case of composite things (_sa@mprayukta hetu_) and in the case of
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[Footnote 1: Sogen's quotation from Kumârajîva's Chinese version of Âryyadeva's commentary on the _Mâdhyamika s'âstra_ (chapter XX. Kârikâ 9).]
the interaction of mental and material things. The substratum of "vijñâna" or "consciousness" is regarded as permanent and the aggregate of the five senses (_indriyas_) is called the perceiver. It must be remembered that the indriyas being material had a permanent substratum, and their aggregate had therefore also a substratum formed of them.
The sense of sight grasps the four main colours of blue, yellow, red, white, and their combinations, as also the visual forms of appearance (_sa@msthâna_) of long, short, round, square, high, low, straight, and crooked. The sense of touch (_kâyendriya_) has for its object the four elements and the qualities of smoothness, roughness, lightness, heaviness, cold, hunger and thirst. These qualities represent the feelings generated in sentient beings by the objects of touch, hunger, thirst, etc., and are also counted under it, as they are the organic effects produced by a touch which excites the physical frame at a time when the energy of wind becomes active in our body and predominates over other energies; so also the feeling of thirst is caused by a touch which excites the physical frame when the energy of the element of fire becomes active and predominates over the other energies. The indriyas (senses) can after grasping the external objects arouse thought (_vijñâna_); each of the five senses is an agent without which none of the five vijñânas would become capable of perceiving an external object. The essence of the senses is entirely material. Each sense has two subdivisions, namely, the principal sense and the auxiliary sense. The substratum of the principal senses consists of a combination of paramâ@nus, which are extremely pure and minute, while the substratum of the latter is the flesh, made of grosser materials. The five senses differ from one another with respect to the manner and form of their respective atomic combinations. In all sense-acts, whenever an act is performed and an idea is impressed, a latent energy is impressed on our person which is designated as avijñapti rûpa. It is called rûpa because it is a result or effect of rûpa-contact; it is called avijñapti because it is latent and unconscious; this latent energy is bound sooner or later to express itself in karma effects and is the only bridge which connects the cause and the effect of karma done by body or speech. Karma in this school is considered as twofold, namely, that as thought (_cetana karma_) and that as activity (_caitasika karma_). This last, again, is of two kinds, viz.