4. Eusebius tells us that Papias 'relates also another story concerning a woman accused of many sins before the Lord,' and he adds that it is 'contained in the Gospel according to the Hebrews.'
The story in question is allowed to be the narrative of the woman taken in adultery, which appears in the common texts of the Fourth Gospel, vii. 53-viii. 11. In the oldest Greek MS which contains this pericope, the _Codex Bezæ_, the words 'taken in adultery' are read 'taken in sin.' In the _Apostolic Constitutions_ [203:1], where this incident is briefly related, the woman is described as 'having sinned.' And again Rufinus, who would possibly be acquainted with Jerome's translation of the Gospel according to the Hebrews, boldly substitutes 'a woman, an adulteress,' for 'a woman accused of many sins,' in his version of Eusebius.
But it is equally certain that this pericope is an interpolation where it stands. All considerations of external evidence are against it. It is wanting in all Greek MSS before the sixth century; it was originally absent in all the oldest versions--Latin, Syriac, Egyptian, Gothic; it is not referred to, as part of St John's Gospel, before the latter half of the fourth century. Nor is the internal evidence less fatal. It is expressed in language quite foreign to St John's style, and it interrupts the tenor of his narrative. The Evangelist is here relating Christ's discourses on the last day, that great day, of the feast' of Tabernacles. Our Lord seizes on the two most prominent features in the ceremonial--the pouring out of the water from Siloam upon the altar, and the illumination of the city by flaming torches, lighted in the Temple area. Each in succession furnishes Him with imagery illustrating His own person and work. In the uninterrupted narrative, the one topic follows directly upon the other. He states first, that the streams of _living water_ flow from Him (vii. 37 sq). He speaks 'again' ([Greek: palin]), and declares that He is the _light of_ _the world_ (viii. 12 sq). But the intervention of this story dislocates the whole narrative, introducing a change of time, of scene, of subject.
On the other hand, it will be felt that the incident, though misplaced here, must be authentic in itself. Its ethical pitch is far above anything which could have been invented for Him by His disciples and followers, 'whose character and idiosyncrasies,' as Mr Mill says, 'were of a totally different sort' [204:1]. They had neither the capacity to imagine nor the will to invent an incident, which, while embodying the loftiest of all moral teaching, would seem to them dangerously lax in its moral tendencies.