The modern Bohemian literary movement dates back only one hundred years. Joseph Dobrovský (1753-1829), the patriarch of Slavic philology, initiated the literary movement at the beginning of the nineteenth century. The few other Bohemian scholars of the day--Jungmann, Palacký, Kollár, Safarík, and the incomparable publicist Charles Havlícek--lent their services to the rehabilitation of a national language that was long supposed to be dead. The letters of Jungmann give us our most intimate accounts of the struggles of himself and his co-patriots during the early day of the modern Bohemian literary renascence.[27]
During the seventeenth and eighteenth centuries the Austrian Government had penalized the publication of books in the Bohemian language and the teaching of the vernacular in the schools of the kingdom. But in spite of prohibitions of the Hapsburg rulers, the vernacular continued to be spoken in the country districts. This fact facilitated the extraordinary progress made in the fields of poetry, drama, fiction, criticism, and historical works during the last fourscore years. The satirical writings of Jan Neruda, the historical dramas of Alois Jirásek, the rich lyrical poetry of Jaroslav Vrchlický (Frida), the bold imaginative compositions of Julius Zeyer, the modernist poetry of J. S. Machar, the great national epics of Svatopluk Cech, the historical works of Francis Palacký, and the political and sociological writings of Thomas G. Masaryk have made notable contributions to the literary history of modern Bohemia. When one recalls the dearth of literature from Teutonic writers in Austria during the same period, the contrast is marked indeed.
In matters of art also Bohemia was early in the field. The Prague school of painting that came into prominence during the reign of Charles IV. (1316-1378) took favorable rank with similar early art movements in Italy. Painters, sculptors, and architects trained in Bohemia are represented to-day at most of the great cities in Europe where art treasures are preserved. The zealous and promising artistic movement inaugurated in the country by the followers of the Prague school, like most of the other culture movements in the kingdom, was well-nigh extinguished by the attempted Teutonization of the country by the Hapsburg rulers after the fatal Bílá Hora.