He himself had grown accustomed to--perhaps a little tired of--the lily poise of the head, the long, gentle hands, the floating step, quite the step of an angel aware of flower-dappled grass beneath its feet and the flutter of embroidered draperies. But Kitty, though accustomed to these graces, in herself, had not grown tired of them, they had, indeed, more and more filled the foreground of her delicate and decorative life, so that he could guess at how much his own indifference had helped to alienate her.

And now, as he turned to look at her, these half ironic, half affectionate impressions hovered as a background, and, sharply drawn upon it, with the biting acid of his new perceptions, he saw something else in Kitty's face that he had never seen before.

The Nest, The White Pagoda, The Suicide, A Forsaken Temple, Miss Jones and The Masterpiece — Part 11

Already he had seen her as a womanly woman, as that in its narrowest sense. He saw her now as a type of the woman who live in and through and for their affections, and this with their sensations rather than with their intelligences. Vividly his memory struck them out;--the faces of the satisfied women, taking on, as years pass over them, as experience detaches from the craving, sentimental self, and frees the instincts to push, climb, cling in roots and tendrils for other selves, a vegetable serenity and simplicity;--and, more vividly, with discomfort in the memory, the faces of the unsatisfied; the womanly married woman whose romance is over, the spinster who has missed romance; faces chiselled to subtlety by dreams and frustration.

The Nest, The White Pagoda, The Suicide, A Forsaken Temple, Miss Jones and The Masterpiece — Part 11

On Kitty's face he saw it now, that look of a subtlety childlike, innocent, of flesh rather than of spirit, yet, in its very unconsciousness, almost sinister. For a moment, as the lines of the sharp new perception etched themselves, lines gossamer-like in fineness, floating, transforming shadows rather than lines, he was afraid of his wife, afraid of the alien, mysterious force he guessed in her.

The Nest, The White Pagoda, The Suicide, A Forsaken Temple, Miss Jones and The Masterpiece — Part 11

For the delicately sinister subtlety was remote from his understanding, was a subtlety that no man's face can show, capable as it is of a grossness and corruption merely animal by contrast; open and obvious. Kitty's subtlety did not make her animal: it made her more than ever like an angel; but an ambiguous angel; and to feel that he did not understand her made her strange. It was no clue to feel that she did not understand herself; it was only a further depth of mystery.