XLIII (2). 1893 [1894]. Musikstücke in den Notenbüchen der Anna Magdalena Bach. Ed. Paul Graf Waldersee.

(1) The Notebook of the year 1722 contains:

Johann Sebastian Bach — Part 101

1. The French Suites (incomplete) (see B.G. an. (2)). 2. Fantasia in C major for the Organ (see B.G. XXXVIII. No. 25). 3. Air (unfinished) in C minor (not in P.). 4. Choral Prelude, ’ Jesus, meine Zuversicht’ (see B.G. XL. sec. 2 No. 16). 5. Minuet in G major (see B.G. xxxvi. and P. bk. 215 p. 62).

Johann Sebastian Bach — Part 101

(2) The Notebook of the year 1725 contains:(542)

Johann Sebastian Bach — Part 101

1. Partita III. (A minor) from the “Clavierübung,” Part I. (see B.G. III.). 2. Partita VI. (E minor) from the same (see B.G. III.). 3 (P). Minuet in F major. 4 (P). Minuet in G major. 5 (P). Minuet in G minor. 6 (P). Rondeau in B flat major (by Couperin). 7 (P). Minuet in G major. 8 (P). Polonaise in F major (two versions). 9 (P). Minuet in B flat major. 10 (P). Polonaise in G minor. 11. Choral Prelude, “Wer nur den lieben Gott lässt alten” (see B.G. XL., Kirnberger’s Collection, no. 2). 12. Choral, “Gieb dich zufrieden und sei stille” see B.G. XXXIX. see. 4 no. 4). 13. Aria, “Gieb dich zufrieden un sei stille” (see B.G. XXXIX. sec. 2 no. 62). 14 (P). Minuet in A minor. 15 (P). Do. C minor. 16 (P). March in D major. 17 (P). Polonaise in G minor. 18 (P). March in A major. 19 (P). Polonaise in G minor. 20. Aria, “So oft ich meine Tabakspfeife” (see B.G. XXXIX. sec. 4 no. 1). 21. Minuet in G major, “fait par Möns. Böhm.” 22 (P). Musette in D major. 23 (P). March in E flat major. 24 (P). Polonaise in D minor. 25. Aria, “Bist du bei mir” (see B.G. XXIX. sec. 4 no. 2). 26. Aria in G major (the Aria of the Goldberg Variations. See B.G. III.). 27 (P). Solo per il Cembalo in E flat major. 28 (P). Polonaise in G major. 29. Prelude in C major (Prelude i. of the first Part of the “Well-tempered Clavier.” See B.G. XIV.). 30. Suite in D minor (the first of the French Suites. See B.G. XIII (2)). 31. Suite in C minor (the first three movements of the second French Suite. See B.G. XIII (2)). 32. Choral (wordless) in F. major. 33. Aria, “Warum betrübst du dich” (see B.G. XXXIX. sec. 3 no. 72). 34. Recitativo and Aria, “Ich habe genug,” and “Schlummert ein,” for Basso (from Cantata 82, nos. 2 and 3), transposed. 35. Aria, “Schaff’s mit mir, Gott, nach deinem Willen” (see B.G. xxxrx. sec. 3 no. 61). 36 (P). Minuet in D minor. 37. Aria, “Willst du dein Herz mir schenken” (di Giovannini) (see B.G. XXXIX. sec. 4 no. 5). 38. Aria, No. 34 supra. 39. Choral, “Dir, dir Jehovah, will ich singen” (see B.G. XXXIX. sec. 2 no. 46). 40. Aria, “Wie wohl ist mir, 0 Freund der Seelen” (see B.G. XXXIX. sec. 3 no. 74). 41. Aria, “Gedenke doch, mein Geist, zurticke” (see B.G. XXXIX. sec. 4 no. 3). 42. Choral, “O Ewigkeit, du Donnerwort” (see B.G. XXXIX. sec. 2 no. 144).