The gay officer sat motionless in a chair by the window, with his eyes fixed upon the floor, and drawing long heavy sighs. The girls, awed by the universal silence, sat along by the walls, only occasionally exchanging glances expressive of satisfaction or perplexity.
The fat smiling face of the hostess was radiant with happiness. The pianist kept his eyes fixed on Albert's face, and while his whole figure from head to foot showed his solicitude lest he should make some mistake, he did his best to follow him. One of the guests, who had been drinking more heavily than the rest, lay at full length on the sofa, and tried not to move lest he should betray his emotion. Delesof experienced an unusual sensation. It seemed as though an icy band, now contracting, now expanding, were pressed upon his head. The roots of his hair seemed endued with consciousness; the cold shivers ran down his back, something rose higher and higher in his throat, his nose and palate were full of little needles, and the tears stole down his cheeks.
He shook himself, tried to swallow them back and wipe them away without attracting attention, but fresh tears followed and streamed down his face. By some sort of strange association of impressions, the first tones of Albert's violin carried Delesof back to his early youth.
Old before his time, weary of life, a broken man, he suddenly felt as though he were a boy of seventeen again, self-satisfied and handsome, blissfully dull, unconsciously happy. He remembered his first love for his cousin who wore a pink dress, he remembered his first confession of it in the linden alley; he remembered the warmth and the inexpressible charm of the fortuitous kiss; he remembered the immensity and enigmatical mystery of Nature as it surrounded them then.
In his imagination as it went back in its flight, _she_ gleamed in a mist of indefinite hopes, of incomprehensible desires, and the indubitable faith in the possibility of impossible happiness. All the priceless moments of that time, one after the other, arose before him, not like unmeaning instants of the fleeting present, but like the immutable, full-formed, reproachful images of the past.
He contemplated them with rapture, and wept,--wept not because the time had passed and he might have spent it more profitably (if that time had been given to him again he would not have spent it any more profitably), but he wept because it had passed and would never return. His recollections evolved themselves without effort, and Albert's violin was their mouthpiece. It said, "They have passed, forever passed, the days of thy strength, of love, and of happiness; passed forever, and never will return. Weep for them, shed all thy tears, let thy life pass in tears for these days; this is the only and best happiness that remains to thee."