The while that these works were executing, he did not desert his painting entirely, and painted in distemper, in the panel that he made for the high-altar of S. Pancrazio, Our Lady, S. John the Baptist, and the Evangelist, and beside them the Saints Nereus, Archileus, and Pancratius, brothers, with other Saints. But the best of this work--nay, all that is seen therein of the good--is the predella alone, which is all full of little figures, divided into eight stories of the Madonna and of S. Reparata. Next, in 1348, he painted the panel of the high-altar of S. Maria Maggiore, also in Florence, for Barone Cappelli, making therein a passing good dance of angels round a Coronation of Our Lady. A little afterwards, in the Pieve of the district of Prato, rebuilt under direction of Giovanni Pisano in the year 1312, as it has been said above, Agnolo painted in fresco, in the chapel wherein was deposited the Girdle of Our Lady, many scenes of her life; and in other churches of that district, which was full of monasteries and convents held in great honour, he made other works in plenty. In Florence, next, he painted the arch over the door of S. Romeo; and in Orto S. Michele he wrought in distemper a Disputation of the Doctors with Christ in the Temple. And at the same time, many houses having been pulled down in order to enlarge the Piazza de' Signori, and in particular the Church of S. Romolo, this was rebuilt with the design of Agnolo. There are many panels by his hand throughout the churches in the said city, and many of his works may also be recognized in the domain, which were wrought by him with much profit to himself, although he worked more in order to do as his forefathers had done than for any love of it, having his mind directed on commerce, which brought him better profit; as it is seen when his sons, not wishing any longer to be painters, gave themselves over completely to commerce, holding a house open for this purpose in Venice together with their father, who, from a certain time onward, did not work save for his own pleasure, and, in a certain manner, in order to pass time. Having thus acquired great wealth by means of trading and by means of his art, Agnolo died in the sixty-third year of his life, overcome by a malignant fever which in a few days made an end of him.