A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes. The story follows a woman (Gena Rowlands) whose unusual behavior leads to conflict with her blue-collar husband (Peter Falk) and family. It received two Academy Award nominations, for Best Actress and Best Director.
In 1990, the film was selected for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant", one of the first fifty films to be so honored.
Plot
Mabel Longhetti, a Los Angeles housewife and mother, sends her three children, Tony, Angelo and Maria, to spend the night with her mother but is extremely hesitant to do so. She is a heavy drinker and exhibits strange behavior. That night, she meets a man at a bar and he takes her home. Despite her protests, he forces her to dance with him and appears to sexually assault her at the bottom of the stairs. She wakes up the next morning in bed and the man is still there. She is confused and briefly argues with him before he leaves calling him by her husband's name. Her construction foreman husband, Nick, argues with his crew over bringing them to his house, saying he is ashamed of his 'crazy' wife. He succumbs to their cajoling and brings them over without being able to call Mabel beforehand. She makes everyone spaghetti, which Nick seems strangely critical of. The meal is superficially pleasant, then sours once Nick snaps at Mabel for flirting and dancing with the men.
Mabel's strange mannerisms and increasingly odd behavior continue to be a source of concern for Nick. She hosts a birthday party, but one of the child's parents becomes disturbed by her behavior and is reluctant to leave his children alone with her, asking if she's been drinking. When Nick comes home, he gets into a fistfight with the child's father, who then leaves with his children. Nick also angrily slaps Mabel in front of the children. He brings a doctor to evaluate her mental health. Mabel grows increasingly angry and suspicious and Nick fights off the doctor when he attempts to sedate her. Convinced she has become a threat to herself and others, the doctor institutionalizes her.
Nick returns to work and is annoyed by the workers' interest in Mabel's situation. He gets into an altercation with a worker named Eddie, who falls down a hill and is severely injured. He picks up the children from school in the middle of the day to go to the beach and allows them to sip his beer, proving himself to be an equally unsuitable parental figure.
Six months later, Nick plans a large surprise welcome home party for Mabel's return from the institution. However, his mother points out that this may be overwhelming for her. Nick overreacts by sending off all of the non-family guests with screams and shouts. When Mabel arrives, she is apprehensive and quiet, in great contrast to her former outgoing and eccentric personality. Nick tries to make her feel comfortable, but to no avail. The evening degenerates in yet another emotional and psychologically taxing event for Mabel. She reveals she underwent electroshock therapy in the mental hospital and becomes increasingly distraught.
After the guests leave, Mabel has a breakdown and cuts herself. When she stands on a sofa and refuses to come down, Nick slaps her and causes her to fall. She appears to recover somewhat and puts the kids to bed while they express their love for her. Nick and Mabel prepare their bed together as the credits roll.
Cast
Gena Rowlands as Mabel Longhetti
Peter Falk as Nick Longhetti
Fred Draper as George Mortensen
Lady Rowlands as Martha Mortensen
Katherine Cassavetes as Margaret Longhetti
Matthew Laborteaux as Angelo Longhetti
Matthew Cassel as Tony Longhetti
Christina Grisanti as Maria Longhetti
Production
John Cassavetes was inspired to write A Woman Under the Influence when his wife Gena Rowlands expressed a desire to appear in a play about the difficulties faced by contemporary women. His completed script was so intense and emotional she knew she would be unable to perform it eight times a week, so he decided to adapt it for the screen. When he tried to raise funding for the project, he was told "No one wants to see a crazy, middle-aged dame."