In the adamantine quality of his "hard luck story", no one far surpasses Eugene Walter, whose income used to hover about that quoted as Mr. Klein's. It is told that this young man was lodging upon a park bench when Wagenhals & Kemper produced his "Paid in Full", but, personally, I am inclined to regard this tale as more picturesque than accurate. In need of money he may have been, but the parental Walters, who live in Cleveland, were quite able to prevent his lacking real necessities, and 'Gene himself has always been in the way of earning a living in the newspaper or the theatrical business. He served an apprenticeship as press agent of various attractions, and it was while both of us were acting in this capacity that we met at the Walnut Street Theater, in Philadelphia.

Mr. Walter's initial effort, "Sergeant James", had just been produced, and had scored an unquestionable failure. He told me the story of the piece, and "it listened good", but I could not believe it possible that the man opposite me was capable of winning a place in a profession of letters. Eugene Walter is not impressive to the naked eye. I had him in mind chiefly when I spoke of the ease with which one might mistake a dramatist for a prosperous tailor. Mr. Walter looks more like a neat and gentlemanly mechanic. He cannot be above thirty years of age, and his height and weight--he is five feet five and tips the scales in the neighborhood of a hundred and forty--make him seem to be about twenty-four. My recollection of his dress is that he usually wears a flannel shirt. I may be wrong as to this detail, but, in any event, his style and general appearance are such as to create the impression.

The Footlights Fore and Aft — Part 42

[Illustration: "_Eugene Walter was lodging upon a park bench when Wagenhals & Kemper produced his 'Paid in Full'_"]

The Footlights Fore and Aft — Part 42

His demeanor suggests neither culture nor education, though, as I have said, he comes of a good family and had excellent schooling. The value of erudition, even so far as it concerns the technique of the drama, in the writing of plays he denies absolutely. In fact, I believe that his horror of being thought what he calls "a high brow" leads Mr. Walter to assume a contempt of art and letters, though he has it not. He has an intuitive appreciation of the beautiful, and yet, at a recent exhibition of the paintings of a great Spaniard, his only comment was, "Don't let's waste any more time in here!" "Playwrights are _born_", he has gone on record as observing. "You can't _learn_ anything about playwriting."

The Footlights Fore and Aft — Part 42