Rome, Rome, Rome! how the very name seemed to bound and thrill through Colin Churchill's inmost nature! He looked at the little book of coupon tickets which his master had given him; yes, there it was, as clear as daylight, 'Paris, P.L.M., à Rome;' not a doubt about it. Rome, Rome, Rome! It had seemed a dream, a fancy, hitherto; and now it was just going to be converted into an actual living reality. He could hardly believe even now that he would ever get there. Would there be an accident at the summit level of the Mont Cenis tunnel, to prevent his ever reaching the goal of his ambition? It almost seemed as if there must be some hitch somewhere, for the idea of actually getting to Rome--that Rome that Cicolari had long ago told him was the capital of art--seemed too glorious and magnificent to be really true, for Colin Churchill.
For a while, the delightful exhilaration of knowing that that very carriage in which he sat was actually going straight through to Rome left him little room to notice the faces or personalities of his fellow-travellers. But as they gradually got well outside the Paris ring, and launched into the country towards Fontainebleau, Colin had leisure to look about him and take stock of the companions he was to have on his way southward. Three of them were Frenchmen only going to Lyon and Marseille--_only_, Colin thought to himself, naively, for he despised anybody now who was bound for anywhere on earth save the city of Michael Angelo and Canova and Thorwaldsen; but the other two were bound, by the labels on their luggage, for Rome itself. One of them was a tall military-looking gentleman, with a grizzled grey moustache, a Colonel somebody, the hat-box said, but the name was covered by a label; the other, apparently his daughter, was a handsome girl of about twenty, largely built and selfpossessed, like a woman who has lived much in the world from her childhood upward. Colin saw at once, that, unlike little Minna (who had essentially a painter's face and figure), this graceful full-formed woman was entirely and exquisitely statuesque. The very pose of her arm upon the slight ledge of the window as she leaned out to look at the country was instinct with plastic capabilities. Colin, with his professional interest always uppermost, felt a perfect longing to have up a batch of clay forthwith and model it then and there upon the spot. He watched each new movement and posture so closely, in fact (of course in his capacity as a sculptor only), that the girl herself noticed his evident admiration, and took it sedately like a woman of the world. She didn't blush and shrink away timidly, as Minna would have done under the same circumstances (though her skin was many shades lighter than Minna's rich brunette complexion, and would have shown the faintest suspicion of a blush, had one been present, far more readily); she merely observed and accepted Colin's silent tribute of admiration as her natural due. It made her just a trifle more self-conscious, perhaps, but that was all; indeed, one could hardly say whether even so the somewhat studied attitudes she seemed to be taking up were not really the ones which by long use had become the easiest for her. There are some beautiful women so accustomed to displaying their beauty to the best advantage that they can't even throw themselves down on a sofa in their own bedrooms without instinctively and automatically assuming a graceful position for all their limbs.