A little west of this remarkable temple is the _Peh-ta sz’_, or ‘White Pagoda Temple,’ so called from a costly dagoba near it erected about A.D. 1100, renovated by Kublai in the thirteenth century, and rebuilt in 1819. Its most conspicuous feature is the great copper umbrella on the top. When finished, the dagoba was described as covered with jasper, and the projecting parts of the roof with ornaments of exquisite workmanship tastefully arranged. Around this edifice, which contains twenty beads or relics of Buddha, two thousand clay pagodas and five books of charms, are also one hundred and eight small pillars on which lamps are burned. The portion of the city lying south of the cross-wall is inhabited mostly by Chinese, and contains hundreds of _hwui-kwan_, or club-houses, erected by the gentry of cities and districts in all parts of the empire to accommodate their citizens resorting to the capital. Its streets are narrow and the whole aspect of its buildings and markets indicates the life and industry of the people. Hundreds of inns accommodate travellers who find no lodging-places in the _Nui Ching_, and storehouses, theatres, granaries and markets attract or supply their customers from all parts. There is more dissipation and freedom from etiquette here, and the Chinese officials feel freer from their Manchu colleagues.
Three miles south of the Palace, in the Chinese City, is situated the _Tien Tan_, or ‘Altar to Heaven,’ so placed because it was anciently customary to perform sacrifices to Heaven in the outskirts of the Emperor’s residence city. The compound is inclosed by more than three miles of wall, within which is planted a thick grove of locust (_Sophora_), pine and fir trees, interspaced with stretches of grass. Within a second wall, which surrounds the sacred buildings, rises a copse of splendid and thickly growing cypress trees, reminding one of the solemn shade in the vicinity of famous temples in Ancient Greece, or of those celebrated shrines described in Western Asia. The great South Altar, the most important of Chinese religious structures, is a beautiful triple circular terrace of white marble, whose base is 210, middle stage 150, and top 90 feet in width, each terrace encompassed by a richly carved balustrade. A curious symbolism of the number three and its multiples may be noticed in the measurements of this pile. The uppermost terrace, whose height above the ground is about eighteen feet, is paved with marble slabs, forming nine concentric circles--the inner of nine stones inclosing a central piece, and around this each receding layer consisting of a successive multiple of nine until the square of nine (a favorite number of Chinese philosophy) is reached in the outermost row. It is upon the single round stone in the centre of the upper plateau that the Emperor kneels when worshipping Heaven and his ancestors at the winter solstice.