Count Tolstoi in "The Kreutzer Sonata," has drawn, with a free hand, one of the vilest and basest of men for his hero. He is suspicious, jealous, cruel, infamous. The wife is infinitely too good for such a wild unreasoning beast, and yet the writer of this insane story seems to justify the assassin. If this is a true picture of wedded life in Russia, no wonder that Count Tolstoï looks forward with pleasure to the extinction of the human race.
Of all passions that can take possession of the heart or brain jealousy is the worst. For many generations the chemists sought for the secret by which all metals could be changed to gold, and through which the basest could become the best. Jealousy seeks exactly the opposite. It endeavors to transmute the very gold of love into the dross of shame and crime.
The story of "The Kreutzer Sonata" seems to have been written for the purpose of showing that woman is at fault; that she has no right to be attractive, no right to be beautiful; and that she is morally responsible for the contour of her throat, for the pose of her body, for the symmetry of her limbs, for the red of her lips, and for the dimples in her cheeks.
The opposite of this doctrine is nearer true. It would be far better to hold people responsible for their ugliness than for their beauty. It may be true that the soul, the mind, in some wondrous way fashions the body, and that to that extent every individual is responsible for his looks. It may be that the man or woman thinking high thoughts will give, necessarily, a nobility to expression and a beauty to outline.
It is not true that the sins of man can be laid justly at the feet of woman. Women are better than men; they have greater responsibilities; they bear even the burdens of joy. This is the real reason why their faults are considered greater.
Men and women desire each other, and this desire is a condition of civilization, progress, and happiness, and of everything of real value. But there is this profound difference in the sexes: in man this desire is the foundation of love, while in woman love is the foundation of this desire.
Tolstoï seems to be a stranger to the heart of woman.
Is it not wonderful that one who holds self-denial in such high esteem should say, "That life is embittered by the fear of one's children, and not only on account of their real or imaginary illnesses, but even by their very presence"?