Scenes 6 and 7, Act ii., the interview with Pompey, are in Plutarch, but it is not evident why they are in the drama. They do not advance the action. Shakespeare preserves also Antony’s message to Octavius that if he was dissatisfied with the treatment of Thyreus he might hang or torture Antony’s freedman Hipparchus—a detestable piece of brutality which might well have been omitted.

Cleopatra is quite apart from Shakespeare’s other women. She is a most complicated and difficult study. Shakespeare takes over from Plutarch her wandering disguised through the streets at night with Antony; the voyage down the Cydnus; the hanging of the salt fish on Antony’s hook; the flight at Actium; the fact that she was mistress of Julius Cæsar and Cnæus Pompey; the second betrayal of the fleet; her petition to Octavius for her son; and her attempt to cheat Octavius in the account of her treasures. In addition Shakespeare makes her ‘hop forty paces through the public street.’ What could have induced him to invent this story? She threatens Charmian with bloody teeth; lets Thyreus kiss her hand, arousing thereby Antony’s rage. Thyreus tells her that Cæsar knows she did not embrace Antony from love but from fear, and she replies:

More Pages from a Journal — Part 107

‘He is a god, and knows What is most right: mine honour was not yielded, But conquer’d merely.’

More Pages from a Journal — Part 107

This may be mockery, but after she has let Thyreus kiss her she goes on:

More Pages from a Journal — Part 107

‘Your Cæsar’s father oft, When he hath mus’d of taking kingdoms in, Bestow’d his lips on that unworthy place, As it rain’d kisses.’

She reminds herself of this, fresh from Antony, who had just told her of Octavius’s offer to protect her if she would give up the ‘grizled head’ of her lover.

‘nothing left remarkable Beneath the visiting moon.’

She tells Proculeius before he surprises her that she would gladly look Cæsar in the face, but she tries to stab herself, for,

‘Know, sir, that I Will not wait pinion’d at your master’s court; Nor once be chastis’d with the sober eye Of dull Octavia. Shall they hoist me up And show me to the shouting varletry Of censuring Rome? Rather a ditch in Egypt Be gentle grave unto me! rather on Nilus’ mud Lay me stark naked, and let the water-flies Blow me into abhorring! rather make My country’s high pyramides my gibbet, And hang me up in chains!’