“The idea is commendable, sir, and only serves to increase our anxiety to hear the story. Therefore we again command you to proceed.”

“There’s the gong for luncheon,” cried Napoleon as he sprang to his feet. “Postpone the story until after refreshments.”

The White Rose of Memphis — Part 15

“That’s a splendid idea!” said Ingomar. “It will give me time to collect my ideas.”

The White Rose of Memphis — Part 15

“Very well,” said the queen. “We will assemble here immediately after lunch, to listen to Ingomar’s story.”

The White Rose of Memphis — Part 15

Ingomar led the queen of Scots to the saloon, while Wellington offered his arm to the queen of Sheba, and the party went down to lunch.

The arrangements which Captain Quitman had made for the accommodation of the large party of excursionists were of the most costly and liberal character, showing that neither labor nor money had been stingily expended. The spacious saloon had been gorgeously decorated by an experienced artist, while innumerable historical incidents and poetical scenes had been painted on the snow-white surface of the wall in front of each state-room. Three scenes in “Mazeppa” appeared first on the left as you entered from the front. The first picture represented the beautiful wild steed in the act of making a plunge forward, while Mazeppa is being bound to his back. The second scene represented the foaming steed as he bounded through the forest, with the large gang of wolves in pursuit; and the last showed the dying steed stretched on the ground, while a flock of vultures covered the surrounding space, ready to begin the work of destruction. The artist had executed the work so skillfully that one might almost imagine that he could hear the horse’s hoofs as they thundered against the earth, and distinguish the hideous howl of the savage wolves. The next painting represented Achilles driving his chariot round the walls of Troy, dragging the helpless body of Hector by the heels, while the beauteous wife of the dead hero stood weeping on a distant tower, as she witnessed the horrible cruelty. Then a little farther down on the same side, we see Cleopatra seated in her magnificent gondola, gorgeously clad in her royal robes, surrounded by her officers and slaves, while she sails over the glittering surface of the water, where she goes to conquer a mighty warrior with her irresistible charms. We come next to a ludicrous scene representing Gulliver on the island of Lilliput, standing erect with his legs placed far apart, while twenty thousand Lilliputian cavalry, with the king and queen at their head, are marching between his huge legs. A beautiful representation of the burial of De Soto in the Mississippi river appeared farther on. Many other thrilling scenes appeared which we cannot spare time to describe.