'I know he is! I've worked at him till I'm sick. Can't work at him any more!'

He took out a sketch-book from his pocket, caught up a piece of charcoal and rapidly sketched the horse in the attitude required. Then he handed the book to Watson, who looked first at the sketch, and then at some of the neighbouring pages, which were covered with studies of horses observed mostly on the day of some trade-union procession, when mounted police were keeping the road.

Fenwick's Career — Part 32

Watson was silent a moment, then, walking up to his picture, he took his palette-knife and scraped out the whole passage. 'I see!' he said, and, laying down the knife, he threw himself into a chair, flushed and discomposed.

Fenwick's Career — Part 32

'Oh, you'll soon put it right!' said Fenwick, encouragingly.

Fenwick's Career — Part 32

'May I see that book?' He held out his hand, and Fenwick yielded it.

Watson and Cuningham turned it over together. The 'notes,' of which it was full, showed great brilliancy and facility, an accurate eye, and a very practised hand. They were the notes of a countryman artist newly come to London. The sights, and tones, and distances of London streets--the human beings, the vehicles, the horses--were all freshly seen, as though under a glamour. Cuningham examined them with care.

'Is this the sort of thing you're going to do?' he said, looking up, and involuntarily his eye glanced towards his own picture on the distant easel.

'That's only for practice. I want to do big things--romantic things--if I get the chance.'

'What a delightful subject!' said Cuningham, stooping suddenly over the book.

Fenwick started, made a half-movement as though to reclaim his property, and then withdrew his hand. Cuningham was looking at a charcoal study of a cottage interior. The round table of rude black oak was set for a meal, and a young woman was feeding a child in a pinafore who sat in a high-chair. The sketch might have been a mere piece of domestic prettiness; but the handling of it was so strong and free that it became a significant, typical thing. It breathed the North, a life rustic and withdrawn--the sweetness of home and motherhood.

'Are you going to make a picture of that?' said Watson, putting on his spectacles, and peering into it. 'You'd better.'

Fenwick replied that he might some day, but had too many things on hand to think of it yet a while. Then with no explanation and a rather hasty hand he turned the page. Cuningham looked at him curiously.