Van der Stucken was now called to the directorship of the famous Arion Male Chorus in New York, a position which he held for eleven years with remarkable results. In 1892 he took his chorus on a tour in Europe and won superlative praises everywhere.

In 1885 and successive years Van der Stucken conducted orchestral "Novelty Concerts," which have an historical importance as giving the first hearing to symphonic works by American composers. In Berlin and in Paris he also gave our musicians the privilege of public performance. From 1891 to 1894 he devoted himself to reforming the Northeastern Säengerbund, achieving the enormous task of making five thousand male voices sing difficult music artistically. Since 1895 Van der Stucken has been conductor of the newly formed Cincinnati Symphony Orchestra, as well as dean of the faculty of the College of Music in that city. The influence of this man, who is certainly one of the most important musicians of his time, is bringing Cincinnati back to its old musical prestige.

Contemporary American Composers — Part 64

As a composer, Van der Stucken shows the same originality and power that characterize him as an organizer. His prelude to the opera "Vlasda" (op. 9) is one long rapture of passionate sweetness, superbly instrumented. An arrangement of it has been made for the piano for four hands by Horatio W. Parker.

Contemporary American Composers — Part 64

Van der Stucken's music to "The Tempest" (op. 8) is published in three forms. Besides the orchestral score, there is an arrangement for piano solo, by A. Siloti, of the "Dance of the Gnomes," "Dance of the Nymphs," and "Dance of the Reapers," the first and third being especially well transcribed. For four hands, Hans Sitt has arranged these three dances, as well as a short but rich "Exorcism," some splendid melodramatic music, and the rattling grotesque, "The Hound-chase after Caliban." All these pieces are finely imagined and artistically handled.

Contemporary American Composers — Part 64

For piano solo, there is a group of three Miniatures (op. 7). The first is an Albumblatt of curious dun colors; the second is a Capriccietto, a strange whim; the third is a beautiful bit called "May Blossom."

Der Stunde sei geflucht, wo ich dein Herz gesucht, wenn in dir diese Liebe statt milder Freudentriebe soll tragen herbe Frucht! Gesegnet ist die Stunde, sprach sie mit süssem Munde, mir ist kein Leid geschehn den Himmel fühl' ich stehn in meines Herzens Grunde.