I mentioned the remarkable results obtained by the Peary and Roosevelt expeditions and pointed to the fact that the specimens brought back and properly set up by efficient taxidermists, did, in fact, give the common people some notion of the wonders of animal life.

"Nothing of the kind," he said. "Look at that boa-constrictor you have out there. It is stuffed and in a glass case. Don't you know that in its natural surroundings you yourself would come mighty near stepping on one without seeing it? You would. If you had that thing set up as it should be, these museum visitors of yours would pass the case believing it was a mere collection of foliage. They wouldn't see the snake itself. See what I mean? Set up as they are in real life they'd come near being invisible."

The Best Short Stories of 1921 and the Yearbook of the American Short Story — Part 92

The man walked up and down the study floor for half a minute or so, then paused at the desk and said:

The Best Short Stories of 1921 and the Yearbook of the American Short Story — Part 92

"Don't let us get to entertaining one another though. But remember this, you only get knowledge at a cost. I mean to say that the man that would know something, can only get the knowledge at first hand. The people who wander around this junk shop that you call a museum, go out as empty headed as they came in. Consider. Say a Fiji islander came here and took back with him from the United States an electric light bulb, a stuffed possum, an old hat, a stalactite from the Mammoth cave, a sackful of pecan nuts, a pair of handcuffs, half a dozen photographs and a dozen packing cases full of things gathered from here and there, and then set the whole junk pile up under a roof in the Fiji Islands, what would his fellow Fijians know from that of the social life of this country. Eh? Tell me that?"

The Best Short Stories of 1921 and the Yearbook of the American Short Story — Part 92

"You exaggerate," I protested. "You take an extreme point of view."

His contradictions would have made me angry, perhaps, were they not made in such a quiet tone of voice.

"Take anything from its natural surroundings," he went on, "and it is meaningless. The dull-eyed men and women that wander through this Museum of yours are just killing time. There's no education in that kind of thing. Besides, what they see are dead things, anyway, and you can't study human nature in a morgue."

He resumed his seat on the window sill, then took from an inner pocket a leather wallet, and drew from that a photograph which he tossed across so that it fell on the desk before me. I examined it carefully. It had been badly developed and badly printed, and what was worse, roughly handled. But still, one could distinguish certain features.