[Footnote 333: Poliziano's letter to Matthias Corvinus is a good example of his self-laudation.]

It must be allowed that to overpraise Lorenzo from a scholar's point of view would have been difficult, while the affection that bound the student to his patron was genuine. Poliziano, who watched Lorenzo in his last moments, described the scene of his death in a letter marked by touching sorrow which he addressed to Antiquari, and proved by the Latin monody which he composed and left unfinished, that grief for his dead master could inspire his muse with loftier strains than any expectation of future favours while he lived had done.

Renaissance in Italy, Volume 2 (of 7) — Part 172

Two years after Lorenzo's death Poliziano died himself, dishonoured and suspected by the Piagnoni. Savonarola had swept the Carnival chariots and masks and gimcracks of Lorenzo's holiday reign into the dust-heap. Instead of _rispetti_ and _ballate_, the refrain of Misereres filled the city, and the Dominican's prophecy of blood and ruin drowned with its thundrous reverberations the scholarlike disquisitions of Greek professors. Poliziano's lament for Lorenzo was therefore, as it were, a prophecy of his own fate:

Renaissance in Italy, Volume 2 (of 7) — Part 172

Quis dabit capiti meo Aquam? quis oculis meis Fontem lachrymarum dabit? Ut nocte fleam, Ut luce fleam. Sic turtur viduus solet, Sic cygnus moriens solet, Sic luscinia conqueri.

Renaissance in Italy, Volume 2 (of 7) — Part 172

'Oh that my head were waters and mine eyes a fountain of tears, that I might weep day and night! So mourns the widowed turtle dove; so mourns the dying swan; so mourns the nightingale.' Into these passionate words of wailing, unique in the literature of humanism by their form alike and feeling, breaks the threnody of the abandoned scholar. 'Ah, woe! Ah, woe is me! O grief! O grief! Lightning hath struck our laurel tree, our laurel dear to all the Muses and the dances of the Nymphs, beneath whose spreading boughs the God of Song himself more sweetly harped and sang. Now all around is dumb; now all is mute, and there is none to hear. Oh that my head were waters, and mine eyes a fountain of tears!'

This at least of grace the gods allowed Poliziano, that he should die in the same year as his friend Pico della Mirandola, a few weeks before the deluge prophesied by Savonarola burst over Italy. Upon his tomb in S. Marco a burlesque epitaph was inscribed--