I can see the Judge's face now. It looked upon me with the same accusing expression that I knew so well, and I slunk away believing that the worst had at last come. He had seen behind the mask of my years, my physical decline and my suffering. In one glance, before he turned dizzily back toward the house, he had taken my secret away from me. He knew me!
The madness of desperation came over me then. It was that which caused me to write the message through the hand of my automaton; it was that which led me to conceive the folly that, being known by the Judge to be living, I might, in the name of my love for my daughter, tell him out of my own mouth that I would never molest them.
I had stood all that man could bear. For the second time in my desperation, I entered the garden. I climbed the balcony. The Judge was there. Estabrook was there. They both saw me. I fled with their staring eyes pursuing me.
Estabrook listened to the story of Mortimer Cranch, sometimes staring into the wizened face of the speaker, sometimes gazing into the depths of the painted Gardens of Versailles. When at last, in a hollow voice which reverberated through the scene loft, Cranch had ended, the younger man jumped forward with his eyes blazing, his hands clenched, his nostrils distended.
"What is wrong with my wife now?" he roared. "You know. Tell me or I'll tear you to pieces!"
There was a moment in which the place was as still as a tomb. I myself drew no breath, but watched the half-bald head of the criminal shake sadly.
Then suddenly he looked up. With one claw-like finger, he pointed at Estabrook. Hate and distrust were in his eyes.
"You know!" he piped in a thin but terrible voice. There was no doubting the sincerity of his accusation.
"I know?" cried Estabrook, falling back. "I know?"
"It began when you left the house!" cried Cranch. "I've always watched on and off since you married her. I'm her father. I've loved her as no one knows. It was my right to watch. I've been nearly mad with worry. What have you done to her? You have dug me out of the grave, I tell you. Now we're face to face. What have you done with my girl?"
The lonely, ruined man had thrown his arms forward. He wore dignity. For a passing second he became a figure to inspire awe; for a moment he seemed the incarnation of a great self-sacrifice. And in that pause he saw that Estabrook's expression had suddenly filled with sympathy, as if in a flash a warmer circulation of blood stirred in his veins; as if, suddenly, his sight had been cleared so that he could picture all the suffering which Cranch had been forced to keep locked up within himself, through dragging years. He reached for the extended, bare, and bony wrist of the older man and grasped its cords in his strong fingers.