And she smiled up into Lola’s face and for the moment looked very womanly and charming and perfectly sincere. For all her curious tangents and unexpected twists and the peculiar hardness and unscrupulous selfishness that she brought into her dealings with every one, this woman had good points; and even when she hurt her friends deeply she had an unexplainable knack of retaining their loyalty. She really liked Lola and admired her and would have gone very far out of her way to look after her.—The pity of it was that she had not been born a man.
She babbled on while Lola polished her up and did all those quite unnecessary things which modern life has invented for women before they will show themselves to the public. In the frankest possible way and without the least reserve she roughed out the history of the man who had come back,—a pucca soldier who had been in India since the War and was one of Feo’s earliest friends. He had loved her violently, been turned down for Fallaray and had never married. It so happened that he had not seen Feo during his periods of leave while the War was on and had told her over the telephone that if he didn’t see her then, at once, he’d either have apoplexy or be taken to Bow Street for smashing the town. Feo laughed when she repeated this.
“And he would too,” she said. “He’s just that sort. Those tall, dark men with a dash of the Oriental in them somewhere go through life with the apparent indifference of a greyhound until the bursting point comes, and when they give way,—whew, look out for the splinters.”
She was excited,—almost as excited as Lola was. And finally, dressed and scented, with her nails pink and her full lips reddened, she had never looked more characteristically Feo, more virile, more audacious, more thoroughbred and at the same time more bizarre. “Now for the Ritz,” she said (Ah, then the Carlton was safe), turned at the door and in a moment of impulse took a diamond bracelet from her wrist and pitched it at Lola as though it were a tennis ball. “You’re a jolly good sportsman, child,” she added, with her widest smile.
All the way downstairs she sang an aria from “Le Coq d’Or,”—a strange, wistful, moonlit thing.—And hardly had she gone before Lola seated herself at the dressing table, where she commenced those operations which would transform her also into a woman of the world.