The worship of the Virgin developed in a way it had never done before. Belief in Mary underwent the same change that belief in Christ had done in ancient days, only more quickly. She was gradually transformed from a human into a divine being.
Let us for a moment follow the course of the religious reaction beyond the period under consideration, and we shall see that this movement has progressed with giant steps. The dogma of Mary's immaculate conception, from which, in the twelfth century, the Middle Ages shrank, has been finally accepted and sanctioned. Mary imperceptibly supplants Christ and becomes the deity of France, as she already was of Italy and Spain. In one of the manuals used in the education of Catholic priests[4] we read: "The blessed Virgin is to be honoured as the spouse of God the Father, because with her and in her he begot our Lord and Saviour Jesus Christ; in her we honour all the divine and adorable perfections with which God has endowed her by communicating to her in abundant measure his fertility, his wisdom, his holiness, and his divine fulness of life." In a work on the immaculate conception written by Archbishop Malou, Mary is represented as being at one and the same time the daughter of God, the spouse of God, and the mother of God; so involved are his explanations of the relationships of the Trinity that one of the conclusions we arrive at is that she is the daughter of her own son. In a book by the Abbé Guillon, _Le Mois de Marie_, she is represented as a kind of chief divinity, to whom consequently it is safest of all to pray. "To be the mother of God means to have a kind of power over God, to retain, if it is permissible to use the expression, a kind of _authority_ over him." Authority thus culminates in the Madonna.
The Mariolaters, in the manner of the schoolmen of the Middle Ages, set about collecting proofs of the immaculate conception from the writings of the Fathers. One ecclesiastic, Passaglia by name, collected 8000. Archbishop Malou declared himself able to produce not fewer than 800,000 proofs of it. One's head begins to swim. On Mariolatry followed, about the middle of the century, the recrudescence of the worship of relics; for the relics which had stopped working miracles at the time of the Revolution, began to work them again for the generation educated by the Jesuits. In 1844 Bishop Arnoldi of Treves began to exhibit the coat of our Saviour, a seamless linen garment which is mentioned in a falsified clause introduced (as is convincingly demonstrated by two German historians, J. Gildemeister and H. von Sybel) between 1106 and 1124 into a proclamation of Pope Sylvester (327) as having been given by the Empress Helena to the Cathedral of Treves. It is affirmed to be the garment mentioned in the 19th chapter of the Gospel of St. John as worn by Jesus before his crucifixion. But besides the sacred coat at Treves, there are some twenty more in other parts of the world, all claiming to be equally genuine. The one in Galatia is much older than the one at Treves. The genuineness of several of them is attested by papal briefs. In 1843 Gregory XVI. ratified the genuineness of the coat at Argenteuil; but Leo X. had already, in 1514, acknowledged the claim of the Treves coat, and its champions would not bow to the new decree; the consequence was that pilgrimages were made to both. Görres, in his _Historisch-politische Blätter_, rejoices at the success of the great pilgrimage to the sacred coat of Treves.