The arms traditionally assigned to King Stephen are thus described by Nicholas Upton: "_Scutum rubeum, in quo habuit trium leonum peditantium corpora, usque ad collum cum corporibus humanis superius, ad modum signi Sagittarii, de auro_." In this, as in some other early examples, it is represented as half man, half lion.

The arms of Stephen are sometimes represented with but one sagittary, and is said to have been assumed by him in consequence of his having commenced his reign under the sign of Sagittarius. Others say because he gained a battle by the aid of his archers on entering the kingdom. Others, again, say that the City of Blois used the ensign of a sagittary as an emblem of the chase; and Stephen, son of the Compte de Blois, assumed that ensign in his contest with the Empress Maude or Matilda. There is no contemporary authority, however, it must be confessed, for any of these derivations. A sagittary is seen upon the seal of William de Mandeville (_temp._ Henry III.), but not as an heraldic bearing.

Fictitious & Symbolic Creatures in Art — Part 67

The crest of Lambart, Earl of Cavan, is: _On a mount vert, a centaur proper, drawing his bow gules, arrow or_. It also appears as the crest of Askelom, Bendlowes, Cromie, Cruell, Lambert, Petty, Petty-Fitzmaurice.

Fictitious & Symbolic Creatures in Art — Part 67

The term _Centaur_ is most probably derived from the words κεντέω (to hunt, or to pursue) and ταῦρος (a bull), the Thracians and Thessalians having been celebrated from the earliest times for their skill and daring in hunting wild bulls, which they pursued mounted on the noble horses of those districts, which were a celebrated breed even in the later times of the Roman Empire. A centaur carrying a female appears on a coin of Lete, which, according to Pliny and Ptolemy, was situated on the confines of Macedonia, and the fables of the centaurs, &c., in that and neighbouring districts abounding in a noble breed of horses, arose no doubt from the feats performed by those who first subjugated the horse to the will of man, and who mounted on one of these beautiful animals and guiding it at will, to approach or retreat with surprising rapidity, gave rise in the minds of the vulgar to the idea that the man and the horse were one being.

Fictitious & Symbolic Creatures in Art — Part 67

[Illustration: Ipotane, from Mandeville's travels.]