Fantasia in C minor (p. 58). Fugue in D minor (p. 59). Fugue in D minor (p. 61). Fugue in E minor (p. 68).
Prelude and Fughetta in F major (p. 76). Prelude and Fughetta in G major (p. 78). Prelude in G major (p. 80).
To these may be added (? authentic) from B.G. XLII.:
Fantasia and Fughetta in B flat major (p 58). Do. do. D major (p. 60).
Prelude and Fugue in C minor (bk. 2 p. 48) (c. 1704). Do. do. C major (bk. 8 p. 88) (? 1707).(331) Do. do. the “Short,” A minor (bk. 10 p. 208). Fugue in C minor (bk. 12 p. 95) (c. 1704). Do. C minor, on a theme by Legrenzi (bk. 10 p. 230) (c. 1708). Do. B minor, on a theme by Corelli (bk. 3 p. 60). Do. D major (bk. 12 p. 83). Do. G major (bk. 12 p. 55). Do. G major (bk. 12 p. 86). Do. G minor (bk. 2 p. 41). Prelude in A minor (bk. 10 p. 238) (by 1706). Do. C major (bk. 12 p. 94). Fantasia and Fugue in A minor (bk. 12 p. 60). Fantasias in 6 major (bk. 9 p. 168; bk. 12 p. 75). Pastorale in F major (bk. 12 p. 102). Choral Partita: Christ, der du bist der helle Tag (bk. 19 p. 36). Do. O Gott, du frommer Gott (bk. 19 p. 44). Do. Sei gegrüsset, Jesu gütig (bk. 19 p. 55).
Generally speaking, the Choral Preludes, other than those in the maturer collections made by Bach himself, may be regarded as youthful works (bks. 18, 19).
II. Catalogue Of Bach’s Compositions At Weimar, 1708-17, from his twenty-fourth to his thirty-third year.
Secular Cantata: Was mir behagt (1716), _or_, Verlockender Götterstreit.
Sixteen Concertos after Vivaldi (bk. 217) (c. 1708-12). Toccatas in D major (bk. 211 p. 28), G major (bk. 215 p. 19), D minor (bk. 210 p. 68), G minor (bk. 211 p. 4), E minor (bk. 210 p. 23) (c. 1708-12). Aria variata alia maniera Italiana (bk. 215 p. 12) (c. 1708-12). Prelude and Fugue in A minor (bk. 211 p. 14) (c. 1715). Fugues in A major (bk. 215 pp. 52, 57). Do. B minor (bk. 214 p. 48). Do. A major (bk. 212 p. 66). Do. A minor (bk. 212 p. 70). Fantasia in G minor (bk. 215 p. 32). Do. B minor (bk. 215 p. 41). (For Organ, N. bk. 12 p. 71.) Do. D major (bk. 211 p. 28). Do. A minor (bk. 215 p. 5) (c. 1710).
Passacaglia and Fugue in C minor (bk. 10 p. 214). Four Concertos after Vivaldi (bk. 11). Eight Short Preludes and Fugues (bk. 1). Orgelbüchlein (bk. 15) (1717). Aria in F major (bk. 12 p. 112). Fantasia con Imitazione (bk. 12 p. 71). Do. C major (bk. 12 p. 92). Do. C minor (bk. 3 p. 57). Trio in C minor (bk. 12 p. 108). Do. D minor (bk. 2 p. 54). Canzona in D minor (bk. 2 p. 34) (c. 1714). Allabreve in D major (bk. 2 p. 26). Prelude and Fugue in C major (bk. 7 p. 74). Do. do. the “Short,” E minor (bk. 2 p. 44). Do. do. D major (bk. 6 p. 10). Do. do. the “Great,” A minor (bk. 7 p. 42). Do. do. A major (bk. 3 p. 64). Do. do. the “Great,” C minor (bk. 7 p. 64). Do. do. F minor (bk. 6 p. 21). Do. do. G major (bk. 7 p. 80). Do. do. G minor (bk. 8 p. 120) (c. 1712). Toccata and Fugue in D minor (bk. 6 p. 2). Do. do. the “Great,” C major (bk. 9 p. 137). Do. do. the “Great,” F major (bk. 9 p. 176). Do. do. the Dorian, D minor (bk. 10 p. 196). Fantasia and Fugue in C minor (bk. 3 p. 76). Prelude in G major (bk. 2 p. 30). Do. C major (bk. 12 p. 91). Fugue, the “Short,” in G minor (bk. 3 p. 84). Do. C major (bk. 12 p. 100).