Portuguese music includes many different styles and genres, as a result of its history. These can be broadly divided into classical music, traditional/folk music and popular music and all of them have produced internationally successful acts, with the country seeing a recent expansion in musical styles, especially in popular music.
In traditional/folk music, fado had a significant impact, with Amália Rodrigues still the most recognizable Portuguese name in music, and with more recent acts, like Dulce Pontes and Mariza. The genre is one of two Portuguese music traditions in the UNESCO Intangible Cultural Heritage Lists, with the other being Cante Alentejano. Regional folk music remains popular too, having been updated and modernized in many cases, especially in the northeastern region of Trás-os-Montes. Some more recent successful fado/folk-inspired acts include Madredeus and Deolinda, the latter being part of a folk revival that has led to a newfound interest in this type of music.
In popular music, there is a significant number of popular genres. These include rock, with popular acts including Xutos & Pontapés, The Gift (alternative rock), Fingertips (pop rock), Blasted Mechanism (experimental electro-rock), Noctivagus (gothic rock) and Wraygunn (rock, blues). Also hip-hop, with acts such as Boss AC, Da Weasel, Ithaka, Mind Da Gap and Sam the Kid. Acts such as Moonspell and Heavenwood (metal) and Buraka Som Sistema (electro/kuduro/breakbeat) have had significant international success. Other popular modern genres in Portugal include dance, house, kizomba, pimba, pop, reggae, ska and zouk.
History
Portugal has had a history of receiving different musical influences from around the Mediterranean Sea, across Europe and former colonies. In the two centuries before the Christian era, Ancient Rome brought with it Greek influences; early Christians, who had their differing versions of church music arrived during the height of the Roman Empire; the Visigoths, a Romanized Germanic people, who took control of the Iberian Peninsula following the fall of the Roman Empire; the Moors and Jews in the Middle Ages. Hence, there have been more than two thousand years of internal and external influences and developments. Its genres range from classical to popular music. Portugal's music history includes musical history from the medieval Gregorian chants through Carlos Seixas' symphonies era to the composers of the modern era. The musical history of Portugal can be divided in different ways. Portuguese music encompasses musical production of the Middle Ages, Renaissance, Baroque, Classical, Romantic and Modern eras, especially from Angola with Kizomba. Portugal has very good dancing clothes making Portuguese dancing famous.
Classical music
Portuguese music gets its rich history and privileged geographical location. These are evidenced in the music history of Portugal, which despite its firm European roots, nevertheless reflects the intercontinental cultural interactions begun in the Portuguese discoveries.
A short list of past and present Portuguese musicians with important contributions must necessarily include the names of composers Manuel Cardoso, Duarte Lobo, Filipe de Magalhães, Carlos Seixas, Pedro de Escobar, Diogo Dias Melgás, João Domingos Bomtempo, Marcos Portugal, José Vianna da Motta, Luís de Freitas Branco, António Fragoso, Joly Braga Santos, Fernando Lopes-Graça, and Emmanuel Nunes; organists such as António Carreira and Manuel Rodrigues Coelho; singers Luísa Todi, Elisabete Matos and José Carlos Xavier; pianists Maria João Pires and Sequeira Costa; violinists Elmar Oliveira and Carlos Damas; and cellists such as Guilhermina Suggia.
Traditional Music
Fado
Fado is a musical style, which arose in Lisbon as the music of the urban poor. Fado songs are typically lyrically harsh, accompanied by a wire-strung acoustic guitar or the Portuguese Guitar. It is usually sung by solo performers, with the singer resigned to sadness, poverty, and loneliness, but remaining dignified and firmly controlled. It is claimed that fado's origins are older, going back to the 15th century, when women cried with longing for their husbands that sailed to the never-ending seas.