Dark City is a 1998 neo-noir science fiction film directed by Alex Proyas and starring Rufus Sewell, William Hurt, Kiefer Sutherland, Jennifer Connelly, Richard O'Brien, and Ian Richardson. The screenplay was written by Proyas, Lem Dobbs, and David S. Goyer. In the film, Sewell plays an amnesiac man who, finding himself suspected of murder, attempts to discover his true identity and clear his name while on the run from the police and a mysterious group known as the "Strangers".
Primarily shot at Fox Studios Australia, the film was jointly produced by New Line Cinema and Proyas' production company Mystery Clock Cinema, and distributed by the former for theatrical release. It premiered in the United States on 27 February 1998 and received generally positive critiques, but it was a box-office bomb. Roger Ebert, in particular, supported the film, appreciating its art direction, set design, cinematography, special effects, and imagination, and even recorded an audio commentary for the film's home video release.
The film was nominated for the Hugo Award for Best Dramatic Presentation and six Saturn Awards. Some critics later noted Dark Citys similarities to and influence on the Matrix film series, whose first installment came out a year later, and the film is now widely considered a sci-fi cult classic.
Concerned that audiences would not understand the film, New Line asked Proyas to add an explanatory voice-over to the introduction, and he complied. When a director's cut of the film was released in 2008, among the changes was the removal of the opening narration.
Plot
John Murdoch awakens in a hotel bathtub, with amnesia. He receives a phone call from Dr. Daniel Schreber, who urges him to flee the hotel to evade a group of men who are after him. In the room, Murdoch discovers the corpse of a ritualistically murdered woman along with a bloody knife. He flees the scene, just as a group of pale men in trenchcoats ("the Strangers") arrive.
Police Inspector Frank Bumstead is looking for Murdoch as a suspect in a series of murdered prostitutes, though Murdoch cannot remember killing anybody. Following clues, Murdoch learns his own name and finds out he has a wife named Emma. When the Strangers catch up with him, he shows he has the ability to alter reality at will, which the Strangers can also do and refer to as "tuning", and he manages to use these powers to escape.
Murdoch wanders the streets of the anachronistic city, where nobody seems to notice the perpetual nighttime. At midnight, he watches as everyone else falls asleep and the Strangers have the city physically rearrange itself and, assisted by Schreber, change the inhabitants' identities and memories. He learns that he came from a coastal town called Shell Beach, which is familiar to everyone, though nobody knows how to get there, and all of his attempts to visit are unsuccessful. Meanwhile, the Strangers inject a copy of the memories given to Murdoch into one of their men, Mr. Hand, hoping it will help them predict Murdoch's movements and track him down.
Inspector Bumstead eventually catches Murdoch, though he acknowledges that Murdoch is most likely innocent, as by then he has his own misgivings about the nature of the city. They confront Schreber, who explains that the Strangers, which are extraterrestrials who use human corpses as their hosts, have a hive mind, and are experimenting with humans to analyze individuality in hopes of making a discovery that will help their race to survive. Schreber also reveals that Murdoch is an anomaly who inadvertently awoke when Schreber was in the middle of imprinting his latest identity as a murderer.
Murdoch and Bumstead take Schreber and attempt to reach Shell Beach, but instead end up at a poster for the town on a wall at the edge of the city. Frustrated, Murdoch and Bumstead break through the wall, revealing outer space, just before some of the Strangers, including Mr. Hand, arrive with Emma as a hostage. In the ensuing fight, Bumstead and one of the Strangers fall through the hole and drift out into space, and the city is shown to be a deep space habitat surrounded by a force field.