In articles written at various times for various readers, there is no reason to suppose that he devised two phrases where one would serve or searched for two examples where one would do the work. Undoubtedly, many of these reiterations were weeded out in the course of compilation, and, as undoubtedly, many of them remain. All collections of stories by the same author--especially when they treat of one subject--are marred by similarity. The remedy for this rests with the reader, who is recommended to take such books in small doses--say, one essay every night at bedtime.

Generally speaking, the matter that follows will not be found unpalatable. At least, the author gives us no reason to suspect that he is displeased with it or with himself. "The capital I's", as someone has said of another series of articles, "flash past like telegraph poles seen from a car window." Mr. Pollock scolds considerably, too, though, for the most part, in perfect good humor. Indeed, whatever their faults, it must be said that these essays display some wit, and a rather delightful lightness of touch and brightness of manner. They penetrate the recesses of the topic, giving an agreeable impression of confidence, of familiarity, and of authority.

The Footlights Fore and Aft — Part 4

Books and plays are judged by their price and pretence. With the price of this book neither the author nor the prefacer has anything to do. It pretends to very little, and, judged by that standard, it may be acquitted.

The Footlights Fore and Aft — Part 4

The Parsonage, Shoreham, L. I., August 25, 1911.

The Footlights Fore and Aft — Part 4

Being a correspondence school education in the business of the playhouse that should enable the veriest tyro to become a Charles Frohman or a David Belasco.

A man who passed as the possessor of reasonable intelligence--he "traveled for" a concern that manufactured canning machinery, and his knowledge of tins was something beautiful--once said to me: "Are plays written before they're produced?"

"No," I replied, indulging myself in a little sarcasm; "they're put up in packages and sold at the delicatessen shops. Comedies cost twenty cents a box and dramas from twenty-five cents to half a dollar. It would be a great field for you, old chap, if you could induce a fellow like Augustus Thomas to pack his plays in cans."