And if so,--horrible thought,--am I the stuff to go forth and seek adventures? Oh, the ineffable bitterness of this reflection! I remember it in all its anguish, and even now, after years of such experience as have befallen few men, I can recall the pain it cost me. While I was yet in the paroxysm of that sorrow, which assured me that I was not made for doughty deeds, nor to captivate some fair princess, I chanced to fall upon a little German volume entitled “Wald Wandelungen und Abentheure,” von Heinrich Stebbe. Forest rambles and adventures, and of a student, too! for so Herr Stebbe announces himself, in a short introduction to the reader. I am not going into any account of his book. It is in Voss's Leipzig Catalogue, and not unworthy of perusal by those who are sufficiently imbued with Germanism to accept the changeful moods of a mystical mind, with all its visionary glimpses of light and shade, its doubts, fears, hopes, and fancies, in lieu of real incidents and actual events. Of adventures, properly speaking, he had none. The people he met, the scenes in which he bore his part, were as commonplace as need be. The whole narrative never soared above that bread and butter life--Butter-brod Leben--which Germany accepts as romance; but, meanwhile, the reflex of whatever passed around him in the narrator's own mind was amusing; so ingeniously did he contrive to interweave the imaginary with the actual, throwing over the most ordinary pictures of life a sort of hazy indistinctness,--meet atmosphere for mystical creation.

If I did not always sympathize with him in his brain-wrought wanderings, I never ceased to take pleasure in his description of scenery, and the heartfelt delight he experienced in Journeying through a world so beautiful and so varied. There was also a little woodcut frontispiece which took my fancy much, representing him as he stood leaning on his horse's mane, gazing rapturously on the Elbe, from one of the cliffs off the Saxon Switzerland. How peaceful he looked, with his long hair waving gracefully on his neck, and his large soft eyes turned on the scene beneath him I His clasped hands, as they lay on the horse's mane, imparted a sort of repose, too, that seemed to say, “I could linger here ever so long.” Nor was the horse itself without a significance in the picture; he was a long-maned, long-tailed, patient-looking beast, well befitting an enthusiast, who doubtless took but little heed of how he went or where. If his lazy eye denoted lethargy, his broad feet and short legs vouched for his sure-footedness.

A Day's Ride — Part 6