Kneeling at the close of these words, the lady awaited the answer of Charlemagne, and every body gazed on her with astonishment. Orlando especially, more than all the rest, felt irresistibly drawn towards her, so that his heart trembled, and he changed countenance. But he felt ashamed at the same time; and casting his eyes down, he said to himself, "Ah, mad and unworthy Orlando! whither is thy soul being hurried? I am drawn, and cannot say nay to what draws me. I reckoned the whole world as nothing, and now I am conquered by a girl. I cannot get her sweet look out of my heart. My soul seems to die within me, at the thought of being without her. It is love that has seized me, and I feel that nothing will set me free;--not strength, nor courage, nor my own wisdom, nor that of any adviser. I see the better part, and cleave to the worse."[2]

Thus secretly in his heart did the frank and noble Orlando lament over his new feelings; and no wonder; for every knight in the hall was enamoured of the beautiful stranger, not excepting even old white-headed Duke Namo. Charlemagne himself did not escape.

Stories from the Italian Poets: With Lives of the Writers, Vol. 2 — Part 12

All stood for awhile in silence, lost in the delight of looking at her. The fiery youth Ferragus was the first to exhibit symptoms in his countenance of uncontrollable passion. He refrained with difficulty from going up to the giants, and tearing her out of their keeping. Rinaldo also turned as red as fire; while his cousin Malagigi the enchanter, who had discovered that the stranger was not speaking truth, muttered softly, as he looked at her, "Exquisite false creature! I will play thee such a trick for this, as will leave thee no cause to boast of thy visit."

Stories from the Italian Poets: With Lives of the Writers, Vol. 2 — Part 12

Charlemagne, to detain her as long as possible before him, made a speech in answer, in which he talked and looked, and looked and talked, till there seemed no end of it. At length, however, the challenge was accepted in all its forms; and the lady quitted the hall with her brother and the giants.

Stories from the Italian Poets: With Lives of the Writers, Vol. 2 — Part 12

She had not yet passed the gates, when Malagigi the enchanter consulted his books; and that no means might be wanting to complete the counteraction of what he suspected, he summoned to his aid three spirits out of the lower regions. But how serious his look turned, how his very soul within him was shaken, when he discovered that the most dreadful disasters hung over Charles and his court, and that the sister of the pretended Uberto was daughter of King Galafron of Cathay, a beauty accomplished in every species of enchantment, and sent there by her father on purpose to betray them all! Her brother's name was not Uberto, but Argalia. Galafron had given him a horse swifter than the wind, an enchanted sword, a golden lance, also enchanted, which overthrew all whom it touched,[3] and a ring of a virtue so extraordinary, that if put into the mouth, it rendered the person invisible, and if worn on the finger, nullified every enchantment. But beyond even all this, he gave him his sister for a companion; rightly judging, that every body that saw her would fall into the proposal of the joust; and trusting that, at the close of it, she would bring him the whole court of France into Cathay, prisoners in her hands.