"All this is irrelevant," said the interviewer, "and the whole difficulty is--you are too mean to go to the ladies' room and pay or give sixpence to the attendant."

"My dear man, you grumble about our being late at the theatre. What would happen if fifty of us were to take off our hats and touch up our hair in a room too small for fifteen, before taking our seats? I know one ladies' room where there is only one looking-glass, and there are only a few horrid little hooks on which to hang hats and veils. I would gladly patronize the waiting-room if there were ample accommodation, but that would be out of the question in most theatres, and one would have to come much too early and get away needlessly late; and there might be little mistakes about the hats and furs unless half-a-dozen attendants were provided, for it can't be a simple question of handing hats and coats over the counter as it is with you men."

Our Stage and Its Critics — Part 137

It is undeniable that in some cases the ladies' cloak-rooms have not been designed so as to deal with the question under discussion, because, of course, theatres are primarily built for the evening performances, and matinées are only a little extra as a rule.

Our Stage and Its Critics — Part 137

"The matter," said the lady thoughtfully, "is more important than you think. I consider that the matinée hat has settled the fate of many new enterprises. If the lady is asked to take off her hat and does not, she is uncomfortable during the afternoon, because she knows the people are hating her, not quite unjustly, and also because they sometimes whisper at her offensively. If she does take it off she is worried lest she has made a guy of herself; she is often upset because her hat has been crushed, and her mind is distracted by wonder if she will get it on right at the end. The result is that she is in a bad mood for the play and judges it unfairly.

Our Stage and Its Critics — Part 137

"I think something could be done. The seats might be so arranged as to have an open box underneath each stall for the hat and muff of the lady immediately behind. I do not say it would be easy to get at them; but even in the case of the narrowest stalls--and many are an outrage--it would be possible. Something of the sort indeed exists at one or two theatres, such as the Haymarket. Of course the cartwheel hats would not go into them, but ladies don't wear such things, only women who want to advertize themselves. Next," she continued, "comes the question of the looking-glass. I have made efforts to use a small _miroir de poche_, but it is far from adequate. In cases where the backs of the stalls are of a good height, a fair-sized mirror might be fixed high up on the back, with some little contrivance in the way of a curtain which could be drawn over it; and aided by these we might be able to grapple with our difficulties."