Crowds of people were going toward the plaza to see the last play at the theatre. Bengal fires burned here and there, grouping the merry-makers fantastically.
The grand estrade was magnificently illuminated. Thousands of lights were fixed round the pillars, hung from the roof and clustered near the ground.
In front of the stage the orchestra was tuning its instruments. The dignitaries of the pueblo, the Spaniards, and wealthy strangers occupied seats in rows. The people filled the rest of the place; some had brought benches, rather to mount them than to sit on them, and others noisily protested against this.
Comings and goings, cries, exclamations, bursts of laughter, jokes, a whistle, swelled the tumult. Here the leg of a bench gave way and precipitated those on it, to the delight of the spectators; there was a dispute for place; and a little beyond a fracas of glasses and bottles. It was Andeng, carrying a great tray of drinks, and unfortunately she had encountered her fiancé, who was disposed to profit by the occasion.
The lieutenant, Don Filipo, was in charge of the spectacle, for the gobernadorcillo was playing monte, of which he was a passionate devotee. Don Filipo was talking with old Tasio, who was on the point of leaving.
"No, thank you! My own mind suffices for rambling and dreaming," replied the philosopher, laughing. "But I have a question to propose. Have you ever observed the strange nature of our people? Pacific, they love warlike spectacles; democratic, they adore emperors, kings, and princes; irreligious, they ruin themselves in the pomps of the ritual; the nature of our women is gentle, but they have deliriums of delight when a princess brandishes a lance. Do you know the cause of all this? Well----"
The arrival of Maria Clara and her friends cut short the conversation. Don Filipo accompanied them to their places. Then came the curate, with his usual retinue.
The evening began with Chananay and Marianito in "Crispino and the Gossip." The scene fixed the attention of every one. The act was ending when Ibarra entered. His coming excited a murmur, and eyes turned from him to the curate. But Crisóstomo observed nothing. He gracefully saluted Maria and her friends and sat down. The only one who spoke to him was Sinang.