[Illustration: Fig. 49.--Plan of the Palace of Esar-haddon at Nimrud.]

[Illustration: Fig. 50.--Various Forms of Capitals and Bases, from Assyrian Reliefs.]

History of Ancient Art — Part 47

The form of the small columns, which stood in the openings allowed for light in the upper walls, can be approximately determined from the representations upon reliefs. The shafts were cylindrical, and probably without flutings; they had a roundlet, or at least a projecting fillet, at either end. The base consisted solely of a high tore, sometimes notched upon the top, or placed upon the back of a striding lion. (_Fig._ 50.) The most common form of the capitals was a peculiar conjunction of two spiral scrolls, similar to a doubled Ionic capital, with an echinos-like roundlet beneath and a stepped abacus above. It is hardly to be doubted that this was the prototype of the Ionic capital, although it cannot be determined from the reliefs whether a lateral roll corresponded to the volute of the front, or whether the helix was repeated upon all four sides, as is the case with the capitals of Persian columns. The small scale of the representations upon reliefs, and their careless execution, do not permit a sure understanding of any part of the capitals. A table (_Fig._ 51) upon a relief of Coyundjic better determines the form of the volutes; it has distinct spirals in place of the rosettes, wrongly shown by Layard’s drawing.[D] There is reason to suppose that the double helix was not the primitive and normal form of the Assyrian capital, but was rather an abbreviation of the leaved calyx so frequently met with in Phœnicia, Palestine, and Cyprus, and that the rolled ends of the leaves, shown by two of the examples in _Fig._ 50, originally suggested the volutes of the capital and the various spiral forms occurring upon carved Assyrian furniture, as in _Fig._ 81. The question will be considered more at length in the section upon Syrian architecture.

History of Ancient Art — Part 47

The columns of Assyria were employed only in this subordinate position, and the dimensions and shape of larger enclosed spaces were dependent upon the limited span of the wooden ceiling beams. Assyrian palaces were, in these respects, unable to fulfil the demands of a monumental architecture. It can only be surmised how roof and ceiling were constructed in detail. The beams were naturally so placed as to require the least possible length to span the clear width; the sinking in the middle, to which the elastic trunks of palm-trees so much inclined, and the accumulation of water in the hollow thereby formed, were thus avoided as well as might be. The constructive details of the roof-platform are not surely known; it is probable that a layer of clay and earth was placed upon the beams, being rolled down compactly after every rain. The exterior representation of roof and ceiling, the wall entablature, may have consisted of a painted wooden sheathing, bearing ornaments of the character displayed by the pavement. (_Fig._ 45.) It was divided, like the Egyptian entablature, into two parts; in neither case was there a marked distinction between roof and ceiling. The imitations of building-fronts upon reliefs make it probable that stepped battlements rose above the main cornice.

History of Ancient Art — Part 47