"What is't that troubles you, Judith?" said he, with an instinctive sympathy, for there was more in her voice than in her words.

"Why, I know not myself," said she, slowly, and with her eyes fixed vacantly on the darkening landscape. "Nothing, as I reckon. 'Tis but beating one's wings against the invisible to seek to know even to-morrow. And in the further years some will have gone away from Stratford, and some to far countries, and some will be married, and some grown old; but to all the end will be the same; and I dare say now that, hundreds of years hence, other people will be coming to Stratford, and they will go into the church-yard there, and walk about and look at the names--that is, of you and me and all the rest of us--and they will say, 'Poor things, they vexed themselves about very small matters while they were alive, but they are all at peace at last.'"

Judith Shakespeare — Part 170

"But what is it that troubles you, Judith?" said he; for this was an unusual mood with her, who generally was so thoughtless and merry and high-hearted.

Judith Shakespeare — Part 170

"Why, nothing, sweetheart, nothing," said she, seeming to rouse herself. "'Tis the quiet of the night that is so strange, and the darkness coming. Or will there be moonlight? In truth, there must be, and getting near to the full, as I reckon. A night for Jessica! Heard you ever of her sweetheart?"

Judith Shakespeare — Part 170

"Well, she was a fair maiden that lived long ago, somewhere in Italy, as I think. And she ran away with her lover, and was married to him, and was very happy; and all that is now known of her is connected with music and moonlight and an evening such as this. Is not that a fair life to lead after death: to be in all men's thoughts always as a happy bride, on such a still night as this is now? And would you know how her lover spoke to her?--this is what he says:

'How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep to our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica: Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubims: Such harmony is in immortal souls; But, whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.-- Come, ho, and wake Diana with a hymn; With sweetest touches pierce your mistress' ear, And draw her home with music.'