THE FOURTH EVENING.

I

IT was easy to see from the first aspect of the smoking-room that it was again to be a soiree, when pipes would predominate. The first half hour was passed, naturally enough, in talking over the events of the day. What added animation to the dialogue was the fact that one elderly gentle- man, a visitor from town, evidently considered himself half shot in consequence of a country friend having fired across him. When giving my reasons for not joining in the English battue, I forgot to mention the chance of losing an eye or the use of an ear. So, before the days of the iron horse in India, a friend accounted to me for his longevity by the fact that he had never been exposed to railway travel. His idea suggested the man who refused to take such hot and rebellious liquors in his blood as tea and coffee, but never refused whisky, toddy, or ioed punch.

The Sentiment of the Sword/The Fourth Evening

II

Invited to "address the assembly," I lit my weed and spoke

as follows:

The Sentiment of the Sword/The Fourth Evening

We will continue, O Signori, the mode of instruction whose

first page only is known to you that is, to most of you. I

enter, it will be observed, into the minutest details, without

which, in fact, you might as well consult a treatise.

The Sentiment of the Sword/The Fourth Evening

My pupil I regret that the Reverend Mr O'Callaghan is

not here already knows the different positions of the body, and has practically learned to appreciate the results to which their use leads.

During the very next seance I would put a foil in, his hand

always supposing that his intelligence equalled that of the

average Church militant and teach him the thrusts and the

simple parries. Every day's work would be divided into three

sections, each of eight to ten and even fifteen minutes, and later

on I should even allow the patient to sit down before this term

has elapsed. In the fencing schools you see men who think they

are " blown " after a third of the time. The best fencers

always save themselves during the assault before they become

thoroughly tired, and the play becomes wild; the re,pose of the

guard, properly understood, gives great relief, and allows much

longer continuance of exertion.

" Would you give your half hour at once, or separate it by

long intervals? " asked Shughtie. "I'm certain that the latter

The Fourth Evening. 55

is the best plan when learning the elements of a language a

pure work of memory. A man who labours two or three

successive hours at his vocabulary is to me like a school lad of

eight, who studies throughout a third of the day."

Your rule is good for languages, and you have founded it

upon the best of reasons; but swordsmanship has little to work

the memory. My practice is never to let the pupil go on

fencing when I see that he is fatigued. But I also never let

him sit down till he requires rest. The thrusts and simple

parries are, I venture to remind you,

Straight thrusts,

Disengagements and cuts over (counts) in tierce and in carte,

Parries in tierce and in carte,

Circles and demicircles.

The passes develop the regularity of bodily action, the parries

give force and suppleness to the wrist. You must be careful, however, not to depend only upon the wrist; in the circles especially there should always be a slight rotatory motion of the elbow. In fact, you should feel that you have an elbow. A man in perfect health never feels that he has anything; we recognise our limbs only when there is something unsound about them.